CFCF “Rain Dance”

Apparently CFCF is bursting at the seams with new material. In addition to a new album, Radiance & Submission, he’s dropping a full-length cassette album on 1080p Collection called The Colours Of Life. Here’s a preview piece.

After getting excited about the upcoming traditional album (new single streaming right here), this is a complete surprise. You don’t exactly anticipate an artist returning after two years of near silence with a pair of full length records, but here they are!

This release will be 40 minutes of unbroken, blissed-out sound, full of bright timbres and worldly percussion. Timbre-wise, it’s more in line with his light, modern minimalist work, while the fluid sound collage structure nods toward his monumental Night Bus mixtapes. To a fan like me, this sounds like heaven.

The fact that he’s been nodding toward Ryuichi Sakamoto and Laraaji (a pair of gods, as far as I’m concerned) only heightens my excitement. The label page itself features a lengthy bit of backstory from the artist himself, mentioning The River EP, a new age-tinted instrumental journey into wide-eyed pan-global textures – and the record where I fell in love with CFCF’s music.

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1080p Collection has been dropping some seriously intriguing music over the past year, and his inclusion on their roster only heightens the appeal. You can pick the album up on August 14th, on either cassette or digital download:  The Colours Of Life order page on 1080p.

The Best Music of 2014

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This is a list of seriously amazing music. The best albums released in 2014, no shit. You probably haven’t heard of some of these artists. That’s okay. That’s awesome, in fact. Most of it’s off the beaten path, and it’d be a shame if that’s the only reason you never heard it. My biggest pleasure with this blog is hearing from friends who discovered something that’s become absolutely essential in their lives. I treasure that feeling and only hope to spread it. Enrich your life. Be adventurous, try out some of the music streaming on this page! It’s free right now and you’re definitely not doing anything better!

Okay.

I know this is late in the sense that most people publish their lists before the year is done, but I couldn’t care less about being first in judging an entire year’s worth of beautiful music. I’d always rather be finished than first.

Every piece of music on this list deserves attention. You’ll probably love some and hate others, because that’s how taste works.

See the Best of 2014 Honorable Mention list for the greatest albums that didn’t quite make the final cut!

[Note: excepting the ABSOLUTE FAVORITES section, these albums are listed in the order I heard them.]

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Black To Comm’s Gigantic Self-Titled Album

This album made a spot on my Best of 2014: Honorable Mention list, for a lot of great reasons. Here it is, streaming free in its entirety.

 

It breaks traditionally stone-faced drone music into wondrous, almost funny eruptions of surprise and joy. Its 83 minute running time seems monolithic and impenetrable until you actually hit play and topple inward. The first track bursts with a mischievous philosophical rant, peaking with the line,

“Grab yourself by the anus and turn yourself inside out. Reveal your inner workings! Put that which is most basic out into the light, and put the decorative outer wrappings where they belong.”

The final track ends in a fever dream of early industrial rock vocals and manicured feedback swirls. A whole lot of really fun, weird music happens in between. Fans of Fennesz, black metal, drone rock, David Lynch, and fucked up dreams: listen now.

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Black To Comm is the artist name of German musician Marc Richter. He doesn’t have a lot of pictures online, so I just thought I’d share the album art in high resolution.

Until The Quiet Comes Comes

Just because.

This has been out over a week and the leak for half that, but tonight, alone, listening to the proper stream on NPR, my excitement is reborn.  There are details, sharp edges and vocal snapshots bursting out at me, entire stretches brimming with instrumentation I haven’t noticed.  I listened to the leak ten times and haven’t heard the album like this.  My thought confirmed:  the vinyl leak is muffled, distant and compressed sounding.  Everything’s in there, buried then rendered in high fidelity.  I kept wanting to lean inward and focus on the elements I knew were inside.  It’s a treat to know that what I’ll be receiving in a couple weeks is even better than what fans have been going nuts over.

Stream the entire album here:

Flying Lotus – Until The Quiet Comes

[NPR stream]

Thanks, NPR.  Also a question: why can’t your player embed?

Also here is the video for first single Putty Boy Strut.  Regardless of how you feel about this song, remember that with this man’s work, it’s all about context.

[Pre-order the album from Bleep, especially if you want the ridiculous collectors edition like I do.]

Sam Hatzaras – 2007-2012

This is fun and fantastic. Psychedelic, hypnagogic, sampledelic. As I said to a friend yesterday: It’s what I listened to when I was in an Ash Ra Tempel mood. Yet actually, thanks to the external memory I can see that I actually said, “I’m in an Ash Ra Tempel kinda mood but this fits perfectly. Even though it’s more like Avalanches.” So there’s that.

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Diamond Terrifier – Ascribing Essence

Diamond Terrifier is the solo project created by saxophone destroyer Sam Hillmer, as a vehicle for the exploration of more nuanced territory than the blast furnace his day job in avant-jazz-noise group Zs embodies.   He’s got a new album out which I’ll get to in a moment.

For now, check this:

Twenty seven minutes of otherworldly bliss.  I’ve now listened three times in a row.  Each set bringing something new to the fore, shifting around the sweet spots.  Each time a novel element flashes brighter: the swarming Pharoah Sanders and Don Cherry echoes in the horn play, the primitively menacing percussion, the psychotic guitar threatening to derail everything at one point, even the familiar ghosts hissing between the cracks (hello, He Loved Him Madly).  It begins in earnest with Hillmer laying out a lyrical solo somewhere between siren and whale song and progresses to a full band tsunami where we have a synthy bass pulse emerging at times like a ship refusing to sink, only to rise in full sail near the end in a sax-and-laser maelstrom.

This incredible piece is just a taste of what this man creates, something taken to a much more personal and direct place on the new album, Kill The Self That Wants To Kill Yourself.  There’s a stream of one of the tracks on the Diamond Terrifier soundcloud, though I believe it works much better as part of the whole.

There it is.  Get it at Northern Spy.  They have great prices and (seriously) fast and helpful customer relations.

For fans of: John Coltrane, Terry Riley, Boredoms, Colin Stetson, Anthony Braxton, Ultralyd, adventures

BEST OF 2011

In 2011, like every year since I’ve discovered how to harness the power of the internet (and a handful of discerning friends) to expand my horizons and unveil whole dimensions of music, has been an incredible year for listening: another slab in my monument to Why You Should Pay Attention.  I held crushes on a number of albums and fell deeply in love with a select few.  All deserve acknowledgement but only the most striking motivate me to gush at length.  With a little luck, I can turn people on to something which will enrich their lives and change perceptions in small or significant ways.  Or maybe even sell an album for one of these deserving artists!

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