One of my favorite artists working today, the insanely talented Dam-Funk, got together with the nocturnally beguiling Nite Jewel one afternoon and crafted this vintage-future-shot of a dusky lovers’ jam.
So, I took my time. I like waiting until the year is actually complete before naming the best it offered. This was worth it, as a few of these entries didn’t make it until the waning days of December. So, here goes.
BEST OF 2009
*as of january 2010
Animal Collective – Merriweather Post Pavilion
I don’t ascribe to revisionist history. You probably went ape shit for this album in January but diss it now that your kid brother likes it. Merriweather Post Pavilion is simply a flat-out fantastic psychedelic pop album. Nothing more, nothing less. Sometimes, that’s perfection enough.
Bullion – Young Heartache
Incredibly innovative instrumental hiphop (although that term is sorely lacking here). This is the first dj-based music I’ve heard since The Avalanches‘ seminal Since I Left You to render even a remotely similar feeling. Both blushingly romantic and heady as all get out, it’s got more blood pumping in its veins than a hundred ‘real instrument’ based albums. Pair it with his Get Familiar + Rude Effort single and you’ve got the sweetest half hour of 2009.
The Field – Yesterday and Today
Minimal techno blossoming into something altogether more wide-reaching and accessible, expanding the definition of what Kompakt records invokes. Touches of Boredoms‘ tribal transcendence, hypnotic but playful trippiness, and unabashed pop overtones ooze from this album’s pores. You won’t find an easier ‘in’ to techno anywhere else.
Fox Bat Strategy – Fox Bat Strategy
A decade+ old recording by the Twin Peaks: Fire Walk With Me house band led by the late Dave Jaurequi, curated and released by David Lynch himself. Think everything Lynchian: 50’s pop, piles of reverb, spooky atmospherics, sweet / menacing lyrics, and a creaky, lived in demeanor that helps define this as utterly timeless. 1959, 2009, or 2059, these songs live in your dreams.
Fuck Buttons – Tarot Sport
Tribal noise drone dance trance whatever you want to call it. This is deeply affecting, gravitationally heavy dance music for a caveman rave or an asteroid collision. The most tangible elements of the past locked into a technicolor display of modern virtuosity. Hypnotizing. Captivating. Adrenalizing?
Yoko Ono Plastic Ono Band – Between My Head and the Sky
A longtime hero of the art world returns with one of, if not the best album in her career, with a little help from her friends. Think John Lennon’s post-Beatles experiments, psyched up kraut grooves straight out of Cologne in the 70s, New York post-punk, no-wave, disco-not-disco, and the most singular and influencial voice in recent history rolled into an adventurous lifetime-spanning collection of music with an energy that puts folks half her age to shame.
The Flaming Lips – Embryonic
Don’t call it a return or comeback: this may be the Lips reclaiming their raucous early days as far as shaggy noise goes, but the album is both more experimental and more mature and accomplished than anything they’ve yet unleashed. Harkening back to the ragged psychedelic roots of their sound, using that as a base to jump through everything from their mid-90’s carnival extravaganzas to the string-laden height of their musical growth (Zaireeka / Soft Bulletin), they’ve managed to round up every loose end possible while leaving a whole raft of new threads hanging, ready to pull out towards the future. Nothing in years has sounded this HUGE.
A Sunny Day in Glasgow – Ashes Grammar
Leapfrogging over their 2007 debut by miles, this Philly group synthesizes everything interesting they were known for (shoegaze sheen, noisey feedback twisting, wobbly synth lines and dreampop vocals) and spills forth this continuous dream of blasted pop tunes bubbling from post rock structures (or lack thereof) into the most narcotically unified, dizzying rollercoaster of an album this year.
White Rainbow – New Clouds
Everything you know about dream music is laid out, multiplied, and promptly steamrolled by this masterpiece. More than perhaps any LP in 2009, this one defines the year for me. So-called hypnagogic pop has nothing on the truly woozy mind-melting 4 tracks contained here. The review I wrote last fall sums it up succinctly. Basically, this is bliss on record. ‘Clouds’ don’t even begin to conjure the effervescent joy White Rainbow rides here. Put it on low volume to set sail for dreamland, or crank it up to shake your house apart in a sun-worshipping frenzy.
Shackleton – Three EPs
Hearing about both the continued vitality and impending death of dubstep all year, it’s easy to understand folks stepping back and ignoring the whole galaxy while the dust settles, content to pick up whatever pieces are left after the fact. Well fuck that laziness. Shackleton has done more to stretch the boundaries of the genre, incorporating nearly every active subgenre of electronic music in vogue this decade into a cavernously dubbed out sculpture of forward thinking chill out music. Play it to anyone thinking there’s nothing new under the sun and watch the grins slowly creep up. Weed optional.
Dam-Funk – Toeachizown
Funk, through and through. This is the most futuristic album made with old school instruments all year, if not the entire “aughts” decade. Dam-Funk has crafted such a deeply singular body of work here that it demands attention from anyone nearing orbit with the massive (2CD, 5LP!) thing. Despite standing far outside any of the trendy genres 2009 coughed up, this album stands head and shoulders above anything your favorite blog went apeshit over – and because of this it will most likely be far more fondly recalled when the time comes to look back on these days. Get it now to hear what I mean. Or go back to your ‘chillwave’ acts which you’ll be inevitably shitting on in a year’s time.
Oneohtrix Point Never – Rifts
This one snuck up on me at the last second; in fact I’d only heard a track or two before the official end of 2009. Luckily I have the common decency to wait until the year is actually complete before sharing the best of it (ahem, every music magazine in existence) so a gorgeous bombshell of alien earworm fantasy like this can get the recognition it’s due. A 2CD set collection the band’s 3 LPs and various rarities, Rifts takes me on a trip through a wormhole filled with the best 80’s soundtracks (think Thief, Blade Runner, Legend, etc etc etc) and minimalism/drone epics of the modern era, mixed through a lense orbiting Terry Riley, Ashra, Emeralds, and anyone else flitting through your mind while reading this. Although arriving at the tail end of the year (for me), this one colors the past 365 days as deeply as anything else on the list.
The Best of the Rest
These albums may not have made the exhalted short list, but they’re all VERY worthy pieces of sound from 2009.
ROVO – Nuou
Dr. Who Dat? – Beyond 2morrow
Boredoms – Super Roots 10
Dan Deacon – Bromst
The Durutti Column – Love in the Time of Recession
Hudson Mohawke – Polyfolk Dance
Coconot – Cosa Astral
Peter Bjorn and John – Living Thing
Shogun Kunitoki – Vinonaamakasio
Black Moth Super Rainbow – Eating Us
Lukid – Foma
Dorian Concept – When Planets Explode
Dusty Kid – A Raver’s Diary
Ras G & The Afrikan Space Program – Brotha From Anotha Planet
Fever Ray – Fever Ray
Burial & Four Tet – Moth / Wolf Cub
Prefuse 73 – Everything She Touched Turned Ampexian
Meanderthals – Desire Lines
Subway – Subway II
J Dilla – Jay Stay Paid
Paul White – The Dreams of Paul White
Moby – Wait For Me
Bibio – Ambivalence Avenue
Lunar Testing Lab – Seashore Blvd.
Ganglians – Monster Head Room
Yagya – Rigning
Tim Exile – Listening Tree
JJ – jj n° 2
Nosaj Thing – Drift
Yo La Tengo – Popular Songs
Martyn – Great Lengths
Harmonic 313 – When Machines Exceed Human Intelligence
The Very Best – Warm Heart of Africa
Flying Lotus – LA EP 3X3
Nudge – As Good As Gone
OOIOO – Armonico Hewa
The Antlers – Hospice
Oh No – Dr. No’s Ethiopium
Flight of the Conchords – I Told You I Was Freaky
Eliot Lipp – Peace Love Weed 3D
the Gaslamp Killer – My Troubled Mind EP
Universal Studios Florida – Ocean Sunbirds
Phoenix – Wolfgang Amadeus Phoenix
Kid Cudi – Man on the Moon
Tim Hecker – An Imaginary Country
Tyondai Braxton – Central Market
Teebs – Teeps 09 Mix
Memory Tapes – Seek Magic
Raekwon – Only Built 4 Cuban Linx 2
Emeralds – Emeralds
DJ /rupture – Solar Life Raft
Dr. Strangeloop – Are We Lost Mammals of an Approaching Transcendental Epoch?
Boris – Japanese Heavy Rock Hits Vol. 3
Mos Def – The Ecstatic
Sweet Trip – You Will Never Know Why
5: Five Years of Hyperdub [2cd label compilation]
Animal Collective – Fall Be Kind EP
King Midas Sound – Waiting For You
Fontän – Winterhwila
Sun Araw – Heavy Deeds
The-Dream – Love vs Money
Mount Eerie – Wind’s Poem
Black to Comm – Alphabet 1968
Buddy Peace – Late Model Sedan
Grackle – Desert Acid EP
Suishou No Fune – Phantom of the Eternal Night
NOT FROM 2009:
Cannibal Ox – The Cold Vein
Shogun Kunitoki – Tasankokaiku
Dimlite – This Is Embracing
Steve Reich – Music For 18 Musicians
A.R. Rahman – Dil Se
Charles Mingus – The Black Saint and the Sinner Lady
Billie Holiday – Lady In Satin
Caural – Mirrors for Eyes
Santo & Johnny – Santo & Johnny
Pharoah Sanders – Karma
Omar Khorshid – Rhythms of the Orient
Isaac Hayes – Hot Buttered Soul
Dif Juz – Soundpool
John Cale & Terry Riley – Church of Anthrax
Alice Coltrane – Transcendence
Boris – Flood
Bill Fay – Bill Fay
23 Skidoo – Seven Songs
Suishou No Fune – Prayer For Chibi
the Gaslamp Killer – I Spit On Your Grave
Z-Rock Hawaii – Z-Rock Hawaii
Adventure Time – Dreams of Water Themes
Manuel Göttsching – E2-E4
Machine Drum – Urban Biology
Blue Sky Black Death – Late Night Cinema
Bows – Cassidy
Les Rallizes Dénudés in general
Have a Nice Life – Deathconsciousness
Tetsu Inoue – Ambient Otaku
William Basinski – El Camino Real
…and there are dozens more from outside 2009 which simply aren’t popping into my consciousness at the moment. As I recall them, I just may add to this list.
Thank you all for reading. 2009 was the first year here and it was a spectacular year. Here’s hoping for at least a few more!
So apparently to help promote the prequel series to Battlestar Galactica, Syfy channel has worked with Pitchfork and XLR8R to curate a far-better-than-it-has-any-right-to-be compilation “inspired” by the new show, Caprica. Rather than toss together a random selection of indie pop hits aimed at moving units, those responsible have created an ostensibly futuristic sounding mixture of left-field beat excursions, austere psychedelia, and blissed out ambience – and released Music For Our Future completely FREE of charge.
That’s right, this sublime collection is just a click away. The best part is that the selection is of such uniformly high quality, containing several tracks unavailable elsewhere, that it would easily warrant a purchase price if they so chose. Thankfully, their commercial impetus for appearing generous is a freewheeling invitation for those of us more into music than television to indulge in something we don’t get every day: an official mixtape that’s not only surprisingly eclectic and deep, but coherent and fluid unlike all but the best of film soundtracks.
Basically comprised of several key satellites orbiting the modern avant electronic landscape with a foot or two firmly in more well known indie territory, this playlist promises to release listeners from the shackles of gravity and set them adrift somewhere outside the oort cloud without a tether in sight. Sliding through warm drones, cold glitch, crushing dub, rapid space grooves and minimal-everything, we’re right on the cusp of anything conceivably fitting for this particular title.
1. Lusine – Gravity
2. Atlas Sound – Walkabout
3. Hudson Mohawke – FUSE
4. White Rainbow – Raw Shanks a Million
5. King Midas Sound – Outta Space (Slow Version)
6. Low Limit – Turf Day
7. Willits and Sakamoto – Toward Water
8. The Field – I Have the Moon, You Have the Internet (Gold Panda Remix)
9. Tyondai Braxton – Uffe’s Woodshop
10. Untold – Luna
11. Nice Nice – See Waves
12. Richard Devine – Matvec Interior (feat. Otto Von Schirach)
13. Peter Kirn – Anaxagoras
[once again, this is completely FREE. so grab it and enjoy]
Grackle was a complete mystery to me only a few weeks ago. Named after a small black bird I see often around the neighborhood, the name dared me to indulge, inflaming my curiosity. This turned out to be a far-more-than-worthy gamble, as William Burnett (aka Grackle) brings a shitload of personality, energy, and hardened swagger to a corner of the electronic music world often lacking in all of the above.
Ostensibly a moody space disco number, the title track evokes everything from laser-pocked 80’s sci-fi soundtracks to smokey funk bangers, its rhythm deftly negotiating an absolute stampede of bass, yet never once feels any older than Right Now. It’s the score to nighttime escapades in the Grand Canyon on a clear night, possibly in some future dystopia where the desolate home of the Roadrunner is the only solace from the onslaught of modern living. The set-opening Musiccargo remix feels like a primal dance around and through a brush fire, a stomping, clattering frenzy let loose when the crisp air first hits and the wild starts to take over. A 4/4 motorik pulse glides the momentum on rails straight into the main feature before you’re even aware of what’s happening. Afterward, the sparkling skyward view beckons and we’re flat on our backs, feeling the draw of space and the sounds of satellites. The Sombrero Galaxy version draws out the meditative (and frankly psychedelic) aspects of the track, riding through hot aquatic swells bathed in that surface-of-Venus skyline in Blade Runner. Twinkling synth stabs illuminate romantically pleading horn waves, sending shivers up the spine while the martial lockstep percussion wanders off towards a hazy oasis. We’re gently brought back to earth the the tune of splashing water and distant laughter. Finally rounding up this drum-tight selection is an original titled We Are It, feeling like a mysteriously shrouded cousin of some of Gothenburg’s finest club crushers. All buzzing seaside guitars and breathy vocals, snaking their way through wavering key lines and plinking drum taps, it’s 4am, long after the beach party died down. So Grackle leaves us by the salvation of water, after all. Starting out in the middle of the night in the middle of the desert (with possibly a satchel of peyote buttons) has been redefined into something not only desirable, but vital. If you grew up in the same era as I did (reading this, you probably did) – expect to have all your deep pleasure centers massaged over these 23 minutes. Take this trip and call me in the morning.
This is for you. Yeah, you. I love you.