R23X is about to make a much larger name for himself in the nebulous sound world curated by the Dream Catalogue label. VELTAHL is a striking moment of clarity sustained over 20 tracks of kaleidoscopic digital fantasia. It’s an explosion of crystalline tones and warped samples, adventure music for kids who grew up on pixelated visions of the future.
This is the first time I felt compelled to make a mixtape for people I’ll never know.
Ballroom is dedicated to everyone who lost the fight of their lives when someone tried to silence an entire culture. It’s also a dive through my own personal history with dance music, exploring the deep end of the electronic ocean, the sounds that come out as everyone’s going home.
Looking at the startling cover art, I knew I had to hear Mark Pritchard‘s new album, Under The Sun. Beyond his decades-long pedigree across many galaxies of the electronic music universe, this image seemed to portend an idea of something truly groundbreaking. While it might not shake up an industry, it’s certainly one of the most interesting releases from a man with several genre landmarks under his belt.
I began this mix in 2011, when I last returned to Michigan. In the midst of feeling directionless and alone, I was trying to start again, build something, connect myself with bigger ideas. Instead, I nearly ruined my life.
I was on a collision course with something terrible, and I had no idea it was coming.
Sometimes I fall so hard and so fast for a new artist that, when their meager output has been exhausted, I don’t know what to do. The sound is perfect, but there’s only so much of it. This is what happened with beat scientist Bullion. How do I keep up with a guy who may or may not release something in the next year, next few years? The honest answer is that enthusiasm wanes and I start to forget.
But it all comes rushing back the moment I hear there’s new material: the hunger, the excitement, the unabashed shouting from the hilltops for all to listen. This just happened again.
Sometimes there’s no better way to discover music than aimlessly sliding through the dark dream of the internet.
One day at the office I was looking for something that I could drift to. I wanted a sound that stretched like taffy until it reached the horizon. I needed my surroundings blurred beyond recognition, smeared into the very fabric of reality. With 新しい日の誕生 (Birth of a New Day) by 2814, I found exactly what I was looking for.
Watch this right now. Just do it. You don’t need to thank me.
If you want to see an artist at the peak of his powers absolutely nailing the zeitgeist, click play.
The brazen mixture of politically, socially, and psychologically aware lyrics with an incredibly nuanced and evolved delivery; the dark and deeply funky production, shot through with an entire jazz band’s worth of all-star live players; the live-wire theatricality of the entire endeavor… all of these parts coalesce as Lamar’s ambition and talent meet in in the stratosphere.
It’s both incredibly audacious and earnest to a fault. The album feels embarrassingly personal at times, the rapper spilling his demons in a drunken crying jag. At the same time, everything’s wrapped in a sense of universal struggle, the intrinsic knowledge that we’re all in this together. There’s no wonder that it’s proven as divisive as it is beloved.