New Order is one of the few bands I’ve loved since childhood and continue to do so well into my adult years. The band’s nervy, dystopian take on synth pop was almost a template for my nascent tastes, mixing deep bass grooves, crystalline synthesizer tones, frantic guitar work, and abstract lyrics about love, loss, society, and other fun nonsense.
In my humble opinion, 1985’s Low-Life was the pinnacle of this style, mixing hard dancefloor impulses with sweeping romanticism to unbelievable perfection. The lead single, The Perfect Kiss, came with an appropriately deadpan video directed by Jonathan Demme. Behold:
Quadrant Dub is one of the most transcendent pieces of music ever recorded. It stands as perhaps the most important dub techno recording of all, the pinnacle of an entire genre and a beacon for artists to follow for decades. Created in 1994 by Basic Channel, the German due composed of Moritz Von Oswald and Mark Ernestus, this 12″ has done more than stand the test of time; it charges onward, curating its own timeline outside of everyday reality.
I finally visited one of the best record shops in the country, a little place called Gramaphone Records, nested in the north end of Chicago. This place feels tailor-made for my tastes, focusing on house and techno, providing room for all the weird corners of electronic music that most shops tuck into a dark corner.
Gramaphone is a groove music mecca, and appropriately enough, the place where I found one of my personal holy grail records. I can’t wait to go back some day soon, when my life looks very different.
I started writing this two years ago, but couldn’t find the right words. Midori Takada’s debut Through The Looking Glass is an album that shrugs off description, flitting on dream logic like a hummingbird through a garden. I’m still not sure I can capture what makes this album special, but I’m happy to try and convince everyone to listen.
The quickest way to state the appeal for myself is this: the album sits at the perfect crossroads between my love of modern classical music and Japanese surrealism. There’s a lot more to it, though.
This mix explores the cyberpunk dream world where deep techno and hip-hop meet.
It’s a reflection of where my head is at in early 2017, meshing flights of fancy with the hard texture of life right now. Everything feels weird, glowing with potential for catastrophe and catharsis. Every day is spent finding a new sense of balance, eyes finding the horizon.
I’m not the biggest fan of mashups. Most of the time, they’re shallow gimmicks, the kind of party trick that’s more fun to make than to experience. Sure, it’s impressive when someone links two disparate artists in a catchy dance, but there’s usually nothing profound in the experience, no new light cast on the original pieces.
But sometimes, a mashup just lands in the fertile ground between illusion and revelation. Sometimes the sense of surprise gives way to genuine appreciation.
Three years ago, Actress, aka English musician Darren Cunningham, dropped the apocalyptic, noise-damaged Ghettoville and promptly announced that he was retiring the moniker for good. Sure, he was cryptic, but there aren’t many ways to interpret “bleached out and black tinted conclusion of the Actress image,” or “R.I.P Music 2014.” The album was maybe the best album of the year so it would have been a grand finale.
As it turns out, Cunningham’s eulogy was mercifully premature. He just released a new Actress single, and it’s a revelation for anyone familiar with his work. X22RME sounds like a whole new evolution for the artist. Check the video: