Dream Shelter [mixtape]

Dream Shelter began a few weeks ago when I put together a few tracks that really vibed well, but it wasn’t until the gravity of the global pandemic hit me that I could tie it all together into a proper mix. I needed the sound of adventure and I felt drawn to a very specific mood that I ended up finding spread across an odd gathering of scenes and sounds.

This is music for pure escape when you can’t leave home. Genre-agnostic tunes sourced from across the globe from 1978 to 1995. It’s hard for any of us to handle something so world altering, but I truly believe that the right music can help. We’ve got a long way to go, so I just want to spread the love and good feelings. We’re all in this together.

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32 Best Dub Techno Albums Ever Made

Here it is, the Optimistic Underground list of the best dub techno albums ever made. Recently I realized there were no definitive lists or guides for ushering new fans into the genre I love most. The few I found were anemic, narrow, and boring; nobody was doing dub techno justice. So here I am, trying to do just that.

The magic of this genre is that its best and brightest examples are not only impressive musical monuments; they’re easy to love and loop and listen forever. This isn’t an academic compilation based on importance or history; it comes from a deep affection for a living, breathing sound.

Dub techno was born with such a defined aesthetic that many early examples sounded like they were from the same artists. Some of them actually were. In fact, you’ll see a few artists represented under different names on this very list. It’s not for a lack of options out there; techno artists tend to switch up identities as soon as they find a new direction in sound. So on a sensory level, for all intents and purposes, they really are distinct musicians. Basic Channel is not 3MB is not Maurizio is not Rhythm & Sound is not Moritz Von Oswald Trio is not Borderland… you get  the picture.

You may notice that this list holds many compilations standing in as albums. In a genre so deeply associated with the 12″ single format, many early dub techno artists became known to the wider world via compilation CDs. This is where the hermetic genre feel becomes an advantage: these compilations often evoke the feel and structure of planned album releases. They’re as cohesive as anything recorded in the album format and undeniable highlights for the genre.

Some of the biggest fans of dub techno are the ones who want to keep it pure, holding a very narrow range of sound as the platonic ideal, accepting little variation and dismissing anything that comes later. They hold up the few original masterpieces as paragons of the sound and dismiss anyone who came along in the following decades. These folks come at music with a prescriptivist attitude, battling for how they think music should be, rather than appreciating how it is. I believe they’re wrong.

When it comes to music, just like grammar, I’m always a descriptivist. I love when genres splinter into dozens of permutations as they migrate and adapt to their new environments. When it comes to dub techno, I hear masterpieces in every era, from the obvious touchstones of the 1990s on up through last year. This sound comes in more than one shape, a fact made crystal clear as we follow its timeline below. This list is arranged in chronological order so you can follow along from when the genre broke ground through the myriad branches that grew as it matured. Accordingly, the music gets weirder and more varied as time goes on.

For more exploration, try the 32 Best Ambient Albums and Every David Bowie Album Ranked lists or see the Optimistic Underground best of the year collection for a load of gems.

On with the list. These are the best dub techno albums ever made:

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50 Best Albums of 2017

2017 was easily the most definitive year of my entire life. This year, I became a father. I got married. Everything changed, including the way I appreciated music.

It wasn’t my tastes; I didn’t suddenly drop my love for techno and weird jazz to become a dad rock connoisseur, despite in fact making a dad rock mixtape. No, it was a subtle shift in weight, a slight refocusing on what aspects most affect what I love about music. I’m still largely into the same genres and artists as before, but I now feel drawn to facets of sound and meaning that I shied away from before. I’m more interested in peeling back the meaning behind what I’m loving, searching for a thread to pull, an arc to follow. Slowly but surely, I recognized the colors emerging from the stories that built these pieces of art.

It’s not that I wasn’t interested in the behind-the-scenes or the history before becoming a dad; it’s simply that I now find myself automatically working recursively when I’m emotionally struck by something, running down the fibers of time that brought it to my attention, trying to work out a map for my own journey forward in this new life role. I’m living for more than myself finally, and although it feels vulnerable to have my heart living outside my body, it’s incredibly rewarding. I’ve felt more energized, more creative than I have in years. I made five new mixtapes between winters. I began running for the first time. I started writing fiction again. Oh and, along with my wife, I’ve been raising a child pretty successfully for half a year so far. Even more than ever before, I can’t wait to experience what happens next.

Speaking of my wife, that’s her in the header picture above. I thought the image of her, pregnant, hiking in the late winter sunset, encapsulated the way I felt about 2017. All that nervous possibility and raw beauty surrounding the long shadow down the path ahead, feeling real warmth after too many frozen months.

This year, like every year, was bursting full of new, exciting, brilliant music. It only takes some effort and desire to find it all. In another first, I barely read any music journalism, kept up with no major release schedules, and missed out on most of the hype 2017 had to offer. I have only the faintest ideas about what other people hold up as the best music of the year. To me, these 50 albums mattered more than anything else I heard all year, give or take a few. For a more comprehensive picture of the year, be sure to check out 50 more must-hear albums of 2017.

Let’s begin the countdown. These are the 50 best albums of 2017.

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Dino Sabatini – Omonimo

Dino Sabatini - Omonimo

When you’ve been deeply lost in the world of techno for years, it takes something really special to capture your imagination, hooking you for days, even weeks on end. Omonimo is one of those rare creations, a unified set of tunes that immediately leapt into the pantheon of great techno albums.

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Juan Atkins & Moritz Von Oswald – Transport

juan-atkins-moritz-von-oswald-transport-tresor285-artwork

When Juan Atkins and Moritz Von Oswald hooked up for a joint album in 2013, it seemed like a weird dream, the answer to an unasked question. These two legends seemed so far apart, physically and musically, yet somehow produced low-key dub techno magic.

Now they’re back with a followup that seems to strike an even better balance of their respective styles. It’s called Transport.

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Luminous Path [mixtape]

Luminous Path2

This mixtape is about that warm glowing feeling you get when you dream about the right path in life. You see it materializing before you, and although it isn’t real yet, you’re filled with the light of understanding.

After this kind of dream, you wake with a newfound sense of purpose and optimism.

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Ballroom [mixtape]

Ballroom Art1

This is the first time I felt compelled to make a mixtape for people I’ll never know.

Ballroom is dedicated to everyone who lost the fight of their lives when someone tried to silence an entire culture. It’s also a dive through my own personal history with dance music, exploring the deep end of the electronic ocean, the sounds that come out as everyone’s going home.

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