Wolf Müller and Cass created a hybrid that I never knew I needed: the perfect meeting point between new age and balearic synth music. Sure, it takes off from sounds that I’m familiar with, but the result is an otherworldly journey that lasts far longer than its slim 39 minute run time suggests.
balearic
What I’m Into This Week (7/10 – 7/16)
Lately I’ve had to remind myself that, in the long run, art has always said more about humanity than the news ever has.
This is one idea that’s helping keep me sane and clearheaded as 2016 rolls on. It’s also something that motivates and inspires me. Let’s see what else helped this week.
Ghost Drive [mixtape]
It’s the summer of 2016 and I’ve felt more energized than I have in years. In addition to writing more frequently than ever, I’ve rediscovered my passion for mixing and recontextualizing music.
I make mixtapes that I’d want to listen to, sharing music the way I hear it. This one is a night drive for future ghosts.
Ballroom [mixtape]
This is the first time I felt compelled to make a mixtape for people I’ll never know.
Ballroom is dedicated to everyone who lost the fight of their lives when someone tried to silence an entire culture. It’s also a dive through my own personal history with dance music, exploring the deep end of the electronic ocean, the sounds that come out as everyone’s going home.
Gaussian Curve – Clouds
Clouds is, simply put, one of the most addictive albums I’ve heard all year, despite its relaxed attitude and understated charm. This thing slid into my brain and refused to leave.
What I’m Into This Week (6/5 – 6/11)
This week has been as busy as ever so I didn’t have a ton of time for new music, but I made up for that with deep enthusiasm for what I did discover.
Thanks to Dam-Funk’s excellent new entry in the DJ-Kicks series, I’ve been looping a certain new-to-me album half a dozen times over the past day alone. I’ve also spent time in one of the most sublime virtual worlds ever created, in The Witcher 3.
D.K. – Island of Dreams
D.K. is Dangkhoa Chau, an artist who’s slowly moved away from dance-oriented techno into a glistening, crystalline territory more suited for emerging from sleep than fighting against it.






