While we’re all salivating at the thought of an honest-to-goodness new Avalanches album, I thought I’d share this live gem, a recording of their latest single from last week’s Primavera Sound Festival in Barcelona, Spain.
Here’s Subways:
While we’re all salivating at the thought of an honest-to-goodness new Avalanches album, I thought I’d share this live gem, a recording of their latest single from last week’s Primavera Sound Festival in Barcelona, Spain.
Here’s Subways:
I shared the first single from this magnificent breakthrough LP a couple months back, but my anticipation never waned. Luckily, it seems well placed: Union and Return soars like the disembodied wings on its fantastical cover art, all weird texture and glistening uplift.
Since you’re seeing this a day late, you might have gathered the fact that I was busier than normal this week. After Memorial Day left me only four days to take on a new project at work, I barely got around to writing about music, which always feels pretty bad.
Still, I’m thankful for a job that allows me all the time in the world to listen to new music. I’m going to mention the best stuff now. Spoiler alert: The Avalanches appear.
This album has quickly become an absolute favorite of mine and I’ve been aching to tell everyone about it. The music breathes a strange dreamy atmosphere where the subconsciously familiar blends with startling newness, the entire production emerging from the half-recalled miasma of memory. In other words, it feels profoundly new while evoking my own past.
D.K. is Dangkhoa Chau, an artist who’s slowly moved away from dance-oriented techno into a glistening, crystalline territory more suited for emerging from sleep than fighting against it.
This week has burned by in a whirlwind of heat and new music, pushed along by the constant pulse of discovery. I stumbled up loads of totally new artists and revisited some recent material, resulting in radical newfound appreciation.
Since it’s finally acceptable weather here in Michigan, I’ve spent a lot of time outside. But I brought my music with me. D.K., Studio OST, and Sepalcure enhanced my time in the humid lakeside.
Let’s get into it.
I haven’t talked about Lil B on this blog in years. But here he is, back with a new Clams Casino joint and sounding better than he has in a while. The production, also featuring Keyboard Kid, is beyond superb.