50 Best Albums of 2017

2017 was easily the most definitive year of my entire life. This year, I became a father. I got married. Everything changed, including the way I appreciated music.

It wasn’t my tastes; I didn’t suddenly drop my love for techno and weird jazz to become a dad rock connoisseur, despite in fact making a dad rock mixtape. No, it was a subtle shift in weight, a slight refocusing on what aspects most affect what I love about music. I’m still largely into the same genres and artists as before, but I now feel drawn to facets of sound and meaning that I shied away from before. I’m more interested in peeling back the meaning behind what I’m loving, searching for a thread to pull, an arc to follow. Slowly but surely, I recognized the colors emerging from the stories that built these pieces of art.

It’s not that I wasn’t interested in the behind-the-scenes or the history before becoming a dad; it’s simply that I now find myself automatically working recursively when I’m emotionally struck by something, running down the fibers of time that brought it to my attention, trying to work out a map for my own journey forward in this new life role. I’m living for more than myself finally, and although it feels vulnerable to have my heart living outside my body, it’s incredibly rewarding. I’ve felt more energized, more creative than I have in years. I made five new mixtapes between winters. I began running for the first time. I started writing fiction again. Oh and, along with my wife, I’ve been raising a child pretty successfully for half a year so far. Even more than ever before, I can’t wait to experience what happens next.

Speaking of my wife, that’s her in the header picture above. I thought the image of her, pregnant, hiking in the late winter sunset, encapsulated the way I felt about 2017. All that nervous possibility and raw beauty surrounding the long shadow down the path ahead, feeling real warmth after too many frozen months.

This year, like every year, was bursting full of new, exciting, brilliant music. It only takes some effort and desire to find it all. In another first, I barely read any music journalism, kept up with no major release schedules, and missed out on most of the hype 2017 had to offer. I have only the faintest ideas about what other people hold up as the best music of the year. To me, these 50 albums mattered more than anything else I heard all year, give or take a few. For a more comprehensive picture of the year, be sure to check out 50 more must-hear albums of 2017.

Let’s begin the countdown. These are the 50 best albums of 2017.

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Vince Staples – Big Fish

Vince Staples has been on a nautical kick for a while now, so it’s appropriate that his upcoming full-length album is called Big Fish Theory. Following the Life Aquatic world tour, the logical next step simply had to be Vince rapping on a sinking sailboat.

Thus, the setting for his new single, Big Fish. As with his prior videos, it’s a worth slice of visual art. The song is a low-key banger, too:

 

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What I’m Into This Week (8/28 – 9/3)

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This week seemed to rush by, with the dying embers of summer swirling all around me. It’s been flush with great music, lots of bicycling, and a really fantastic sandwich.

A pair of short hip-hop albums defined my listening, along with a darkly mysterious little techno release that I’ll share. But most of all, I watched the Netflix show Stranger Things in its entirety. I was utterly floored.

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17 Best Albums Of 2015

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2015  was an incredible year for music, full of surprises and second comings, weird new genres and unbelievable evolutions of existing sounds. Of course, every year is great for music as long as you’re open to new sounds. That’s how this whole thing works.

Every year, I enjoy writing down my favorites as I go along, adding them to a simple text file on my laptop. Sometimes I add stars to the albums when I realize I’m completely mad for them. For some albums, this means I find myself listening day after day, racking up dozens of plays. For others, this means that I’m struck so deeply on an emotional, intellectual, or even physical level that I can’t bring myself to listen again for a few days. Both experiences bring lasting rewards, especially when considered in the long view. This is why I love looking back and appreciating the permanent impact from these powerful pieces of music.

As it turned out, this year’s list included over twenty starred albums. I left a handful for my Best of 2015 Honorable Mention list, but the rest were simply indispensable. My list would not be complete without all of these albums.

So please, read on and enjoy. These are the 17 best albums of 2015.

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Vince Staples – Lemme Know feat. Jhené Aiko & DJ Dahi

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Vince Staples dropped one of the best albums of 2015 with Summertime ’06 a month ago. It’s one of the best hip-hop albums I’ve heard in years, up there with Kendrick and Killer Mike and Future and anybody else who’s had a mad flash of love on the internet in the 2010’s.

I’ve already shared the full album and the stunning (and fucking gut-punching) Señorita video, but a short drive today convinced me that Lemme Know needed to be singled out. Listen:

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Vince Staples – Summertime ’06

I just shared the Señorita video, but realized that everyone needs a chance to listen to the whole brilliant album. So here’s a Spotify full album stream of Summertime ’06. It’s not just one of the best hip-hop albums of the year; it’s one of the best releases of any genre.

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Vince Staples impressed me last year with his brief but fiery Hell Can Wait EP, but in no way prepared me for the brilliance on display with this two-disc (but only 1 hour) debut album. Nothing really can. It’s brazen, intelligent hip-hop with a hard swing and a deep heart. It’s surprising, exciting, dangerous; it’s some of the most fun listening I’ve had all year.

I’ll let it speak for itself. Here’s the full album stream:

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Vince Staples – Señorita [killer music video]

Thanks to my music friends, I was tipped off to Vince Staples just before this album dropped. One of them stated that it was better than To Pimp A Butterfly, the funky hip-hop masterpiece from Kendrick Lamar that’s quickly become one of my favorite albums in years.

That’s a ballsy statement. I clicked play.

The video is one of the most subtly powerful images I’ve witnessed all year. It’s a visual treatise on the way that myriad subcultures and “others” are only seen by suburban white America through screens, the tangible life and death struggle rendered impotent or entertainment by the separation of glass. An indelible final shot delivers the death blow; I won’t spoil the surprise. You’ll know if you watch it.

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