Shigeto – The New Monday

The New Monday is an eclectic set of rhythm vehicles caught in traffic somewhere between hip-hop, spiritual jazz, and the psychedelic fringe of techno. It fully invests in several directions at once, offering a warmly disorienting maze in its ping-ponging structure. This is Shigeto returning to Detroit, trying on its signature sounds, and realizing they fit better together than anything he’s done before.

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Yume Park [mixtape]

Take a little journey into the digital forests of ancient Japanese video games and half-remembered dreams. This is Yume Park.

This mixtape takes a hard swerve into exotic space, bouncing rhythm, and funky groove. It’s a get-up-and-go sound for getting lost in the woods, resolute meandering after dark, a gateway into the balmy nights of summertime.

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MF Doom + Sade – Sadevillain

I’m not the biggest fan of mashups. Most of the time, they’re shallow gimmicks, the kind of party trick that’s more fun to make than to experience. Sure, it’s impressive when someone links two disparate artists in a catchy dance, but there’s usually nothing profound in the experience, no new light cast on the original pieces.

But sometimes, a mashup just lands in the fertile ground between illusion and revelation. Sometimes the sense of surprise gives way to genuine appreciation.

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Twin Peaks: James Hurley – Just You

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Ever catch yourself sliding into hypnosis while watching a movie or show? You hook right into the rhythm, the flow of the picture and sound and suddenly you’re not just along for the ride; you’re locked into it. You’re inside it, the same way you find yourself in a dream.

This is kind of a defining feature of a lot of my favorite cinema. Twin Peaks is one of the only television shows to have ever rolled into the same territory, for me. Witness:

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David Bowie Albums, Ranked

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I’m doing this. I’m ranking every David Bowie album.

This list is not ranked by historical importance or designed to guide a new listener through his vast discography. This is simply a list of every major album David Bowie released in order from worst to best. While I don’t believe he made any truly bad albums, he certainly had a range of quality to his recordings. I’m skipping the covers album, the soundtracks, and the Tin Machine stuff. This is pure Bowie, no filler.

I’ve seen other lists out there and I almost always disagree with their top picks. They’re always too safe, too obvious, compromised by committee. This list is an unvarnished look at one passionate fan’s embrace of the entire catalogue and will probably bring some surprise. If you’re curious to learn more about Bowie’s impact on my life, check out David Bowie Is Dead // This Is What He Means To Me.

I know that no two David Bowie fans are the same and that most people will disagree with my rankings. That’s part of his magic. In that spirit, I welcome all comments and suggestions, so share away. I had fun making this, and I hope you have fun reading it.

Let’s get on with the list:

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Martin Luther King Jr. Day // DJ Sprinkles’ Mountain of Despair

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I don’t often take note of federal holidays, especially when I’m not let off work, but Martin Luther King Jr. Day is perhaps the most important one in American history. It’s a modern holiday celebrating the life of a man whose passion for justice and equality changed the shape of our country undeniably for the better.

Unlike our other named holidays, nodding to historical figures with dubious or downright depressing impacts – can we end Columbus day already? – this one is an unquestionably good thing. King is one of the truest heroes my nation has ever produced. Recent world-shaking events have shown how vital his lessons continue to be.

Because this is a music site, I feel like sharing my favorite song that samples King’s words. This tune takes the fiery energy from his final speech, “I’ve been to the mountaintop,” and wrings every ounce of suffering from it. This is a harrowing but strangely soothing epic. It’s called Motorik Life (DJ Sprinkles’ Mountain of Despair):

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David Bowie – No Plan

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One year ago today, I was drinking on a beach in Mexico, blissfully unaware that David Bowie was dying. I set a reminder on my phone to grab his then-upcoming album Blackstar as soon as it dropped, so that I could listen on the flight home. I was looking forward to hearing what might come next, sure in the magical knowledge that the man was immortal, in some strange way. That he’d always be there for us, with some new adventure.

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