Here it is, the Optimistic Underground list of best ambient albums ever made. Inspired by all the discussion surrounding Pitchfork’s list of the genre, I decided to lay out my favorites. This is a sound that I’ve been in love with my whole life, so the only problem was narrowing it down.
Lots of people like ambient music for lots of reasons. Some love to fall asleep to it. Some are fascinated with the granular detail of slow songs. Some enjoy the way that it can dilate time, shifting perception for vast stretches.
I love it for all of these reasons, and for the way it can utterly transport my mind in a way that frees me to have all sorts of thoughts, the kind of ideas that spring up during a long bike ride or a mediation session. Ambient music is contemplative music, for all intents and purposes. It’s music to think about, and think to.
As of right now, I can’t imagine setting a strict order for these albums. So they’re not numbered. Some are definitely more beloved than others, but the important thing is that these are all incredible works of music that deserve your attention. Every single album here is a defining example of the power and possibility of ambient music.
For more exploration, try the 32 Best Dub Techno Albums and Every David Bowie Album Ranked lists or see the Optimistic Underground best of the year collection for a load of gems.
On with the list. These are the best ambient albums ever made:
A lot of bands ape their influences, and a few even do it successfully. Far more rare are the artists who completely breathe in the essence of what made their heroes tick, exhaling something uniquely infused with the original spirit but unfolding its own logic.
Beach House has been a solid band for years, trading in dusky dreampop that bloomed into technicolor and leaned to the pop side of that sound as the albums went on. Their new album, Depression Cherry, sounds like a confident leap into the rarefied territory of legends like Cocteau Twins and Slowdive.
Here’s an admission: shoegaze is still one of my favorite genres. The gauzy dream-sound of guitars blurred into pure haze.. it’s never left that soft, nostalgic center of my brain. Effects pedals, ghosted vocals, and a sort of spectral swagger will always their place in my heart.
Today I listened to Slowdive‘s monumental second album, Souvlaki, and it all came flooding back. I got those old familiar chills right in the middle:
Here She Comes is the simplest, most direct song on the album. The impressionistic lyrics are just dark and weird enough to not seem juvenile; combined with the melodic cloud of hand drums and reverb-laden guitar, they form a surreal love poem.
It’s so lonely in this place
So cold I don’t believe
And as no-one knows my name
It’s easy to pretend
It’s easy to believe
There’s a shadow on my wall
It dances like my soul
Dances like my soul
It’s so cold now
I swear it will be warm
Here she come now
Since the band recently reformed, I’m hoping for at least one chance to see Slowdive perform in this lifetime.
Someone was kind enough to upload the entire Souvlaki album on youtube, so give it a listen if you don’t already own it. As one of the best albums of the 90s, and easily one of two or three crowning achievements of the shoegaze genre, it’d be a damn shame to miss out on this experience. Buy the album for less than $10, if you’re interested. Or listen first below.
There’s a shadow on my wall / It dances like my soul