
Today is my birthday, and in celebration I’m sharing the incredible stop-motion video for The Smashing Pumpkins‘ timeless love song, Thirty Three. It’s not just one of my favorite tunes of all time, but one of the best videos from my childhood.

Today is my birthday, and in celebration I’m sharing the incredible stop-motion video for The Smashing Pumpkins‘ timeless love song, Thirty Three. It’s not just one of my favorite tunes of all time, but one of the best videos from my childhood.
When I saw that longtime favorite band Yo La Tengo were covering the classic hit Friday I’m In Love by The Cure, I pictured something hushed, understated, and endlessly charming. I wasn’t wrong.
When I watched the music video, however, I was fucking flabbergasted. It’s an epic story about love destroying the earth, as violent and jarring as it is hypnotic. Coming from this 30 year old band, it’s hilarious and.. surprising.
A lot of bands ape their influences, and a few even do it successfully. Far more rare are the artists who completely breathe in the essence of what made their heroes tick, exhaling something uniquely infused with the original spirit but unfolding its own logic.
Beach House has been a solid band for years, trading in dusky dreampop that bloomed into technicolor and leaned to the pop side of that sound as the albums went on. Their new album, Depression Cherry, sounds like a confident leap into the rarefied territory of legends like Cocteau Twins and Slowdive.
I absolutely love Joanna Newsom.
I was just talking with friends the other day, sharing our hopes that Newsom would return possibly after winter, early next year. Her last album, the monumental triple-disc Have One On Me was not only a masterpiece; it sustained enough soul-chilling moments to last us the past half-decade.
So expectations are kind of high for her upcoming album, Divers. Announced today along with this video, it’s coming a week after my birthday: October 23, this year.
I’m a little lost without you
That could be an understatement
A little over a week ago I wrote about Arthur Russell’s Corn. Another posthumous monument to an artist who died long before the world could appreciate his genius, it got me spelunking into the vast caverns of his discography, picking out old gems for an even closer look.
I found this wonderful fan-made video, using footage from a Soviet animated short, Girl And Dolphin, by Rosalie Zelma. Paired with the dreamlike love song A Little Lost, it’s an achingly gorgeous way to spend three minutes.
And I’ll stand on the ocean until I start sinkin’
And I’ll know my song well before I start singin’
This line became my reluctant personal anthem when it first sank in, over ten years ago. I was always hesitant, cautious to a fault, and shy. So terribly shy.
https://www.youtube.com/watch?v=-H2Vvfg0d3k
I’m good at meeting people, saying the right things, being a kind and welcome presence for strangers and friends. But I was always terrible at letting my real self out, being emotionally open, and putting my hopes and fears on display. I’ve been terrible at sharing my personal art, my true expression, with anyone. Anyone. It’s so hard to let go.

I don’t really have anything clever or interesting to say about this song, other than this: it hits me right in the feels.