Lil B – The Age of Information

Here is the Based God with some truth.

Lil B started truly blowing up in 2010, releasing literally hundreds of youtube tracks and more than a handful of more-excellent-than-not mixtapes, each full of absolute gems which cannot be missed.  Unfortunately the deluge of material tends to intimdate the uninitiated, especially if they play a random track or two and find themselves baffled or recoiling at what they perceive.  I myself finally caved sometime in the summer and was taken in by the surreal wordplay and exquisite, twisted beats (or ambient soundscapes) his words are married to.  I was intrigued and drawn in, but always with more curiosity than love – until The Age of Information changed my mind.

This one combined some of his most prescient and observant lyrics with a laid back, psychedelic compression worthy of any spaced out Boards of Canada acolyte, orbiting a classic piano line dropping anchor for the heavily drifting wordplay.  Speaking of our generational disconnect with each other, with history, with the wider culture itself, he’s sharing thoughts imbued with far more earnest grace than originality; it’s the heartfelt truth of a young mind grappling with the very internet culture which has enabled his meteoric rise.

About that rise:  watch out for a lot more from this prolific and talented artist in the coming year – full length Angels Exodus just dropped at Amalgam Digital, and its (supposedly) massive follow up Glass Face is soon to follow.  I’m also putting together a mix, soon to appear on this very blog.  Keep your eyes peeled.  And check out Lil B at last.fm for the latest discussion and links and all that.

Teebs – Ardour

Teebs is about to release the album of our sweetest dreams, and I mean that in the most literal sense.  The also-visual-artist and freshest face in Flying LotusBrainfeeder collective has finally created a full length release, finally exceeding even his most beatific psychedelic paintings in service of rendering his uniquely utopian vision.

Yes, utopia.  This is exactly what Teebs conjures on record; one listen leaves no doubt as to the veracity of a claim by Flying Lotus himself that this album sounds “the way Avatar looks.”  I’d be hard pressed to utter a more succinct bon mot.  This music reminds me of imaginary imagery more than any specific prior music; tropical visions of the future as seen in 60’s cinema, a psychedelic James Bond-ian secret island accessible only by submarine.  Or space ship.  The colors and tones may have forebears in  John Barry and Martin Denny – and the optimistic sheen the future once sported – but the construction and the visionary feel is all his own.

Listen to Arthur’s Birds – a cut right from the center of Ardour.

[pick this one up October 18th via brainfeeder on amazon or *more coming soon*]

Method Man – Tical

Method Man.  The most charismatic and possibly most well known member of the Wu Tang Clan, dropped the first solo album of the group after their monumental debut as rap’s first supergroup.  It remains one of the most essential recordings in Wu – and the genre in general – history.

Fuck yes.  Firmly lodged in the holy triptych of Wu legend, between Enter the 36 Chambers and Liquid Swords, Tical is a timeless slice of hip hop tastiness, as fresh now as the day it dropped 16 years ago.  16 years ago, to think of it, is a long way back for any album, much less one in the constantly evolving (or revolving, depending on your take) hip hop universe, to hold relevancy.  But it’s true, through and through.  Put this on right next to whatever your friends have been digging lately and watch as nothing happens:  no jarring shift to ‘old school’ sound, no ratcheting back of production intricacy, and certainly no stale whiff surrounding Meth’s iconic vocal delivery.  Blunted is blunted, and this album defined it in 1994.  No update required, just inhale and enjoy.

If Liquid Swords was a jagged rusty blade flashing in the dead of winter, Tical is the bare-bulb-lit basement beneath a sticky summer night, full of smoke and apprehension.  Isolated, paranoid, incubating ideas for the outside world, it’s an environment unto itself, an album to truly be immersed in.  Coming up for air when the last track ends is understandable, but the stoned reverberations beckon again soon.  Spinning from the opening PBS library fanfare through dusty organ laments like All I Need and the exhuberant 70’s-action-flick horn laden highlight Release Yo’ Delf, there’s not a more consistent Wu release in existence.  Tical lays down a mood and explores every nook and cranny therein.  And hell, if you share my allergy to skits, there’s no more undiluted source of Wu mastery than this release – even my beloved Liquid Swords has the one “Tony Starks” intro (not that I mind it) and no matter how funny the ‘torture mothafuckas’ segment on 36 Chambers is, it breaks all sense of flow.  This piece is straight genius shot from a glock, the proverbial all killer, no filler work.  If you somehow haven’t become intimate in the intervening years, you owe it to yourself to dive in.  Lacking any better words of encouragement than the man himself, I leave you with his words:

Throw your hands in the sky

and wave ’em from side to side

and if you’re ready to spark up the Meth- Tical

let me hear you say STIM-U-LI!

…so yeah.

[pick this up virtually anywhere. amazon for instance.  or cduniverse]

I Was There!

Last weekend I had the pleasure to see Mr. Steven Ellison, aka Flying Lotus, perform twice in the same day.  The first event was a live collaboration with Dr. Strangeloop for the Ann Arbor Film Festival, scoring the 1962 avant garde animated film Heaven and Earth Magic as it played in the Michigan Theater.  Truly one of the strangest media experiences of my life, the film itself is an utter mind fuck – stark black and white 19th century cutout images swirling, grinding, and making Dali proud – while the accompanying score blew the doors off my perception of what Flying Lotus is capable of.  This material was a straight up experimental drone symphony and shared few commonalities with the ostensibly beat-centric music the man is known for.  Of course, I gave myself to it wholeheartedly and was spit out the other end with wild eyes and an expanded level of respect and admiration.  And some dizziness.

A still from Heaven and Earth Magic.

Then, we hit the Blind Pig and became truly and completely blown away.  We were the faithful masses and he was our prophet.  Everyone around me surrendered to the tunes; even the most reserved students were compelled to move at least a bit.  The live set eclipsed anything I came prepared for, and set the bar for live electronic acts at least a few notches higher than I’d perceived possible.  Here’s a glimpse of him weaving Idioteque, one of Radiohead‘s towering productions, into the maelstrom:

[enjoy, and remember that Cosmogramma is coming May 3 in UK and 4 in US! Preorder now!]

Jay Electronica’s Eternal Sunshine

I took Eternal Sunshine and I looped it.
No drums no hook just new shit.

Jay Electronica is, in my humble view, the most promising MC out there today. Although having no official albums under his belt, the bootleg collection What the Fuck is a Jay Electronica?! has been making the rounds for a year now and waking heads up across the land. Today I realized that I’d been keeping this hot treasure to myself and needed to share the love.

This song is what grabbed my attention first, being a fan of the titular film (and its dreamlike score, courtesy of Jon Brion) and always keeping my ears open for exciting new talent; suffice to say I was hooked. There’s nothing I can say that would persuade a listener more than the music itself, so have a listen.

With beats driven by the likes of Madlib and J Dilla, the songs released so far are not only deeply satisfying rhyme and rhythm excursions, but point the way to an incredibly successful career. I can’t wait for the day this man is known more for his incisive talent than simply as the husband of Erykah Badu – and that spot on the calendar is quickly approaching.

Give his What the Fuck collection a try.

[and keep your eyes and ears out for anything this guy drops, official or not. check his twitter for info.]

Baby Elephant – Turn My Teeth Up!

Baby Elephant - Turn My Teeth Up

Baby Elephant is the brainchild of master producer Prince Paul, most famous for his paradigm-shifting production work on De La Soul’s iconic 3 Feet High and Rising. Paul recruited regular collaborator Don Newkirk and legendary Parliament (and Talking Heads) keyboardist Bernie Worrell to conjure this endearing, strange funk blast in 2007.

This oddball collaboration is a real-deal hidden treasure.

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Tea Leaf Dancers

I just discovered this.  The first track on Flying Lotus‘ breakthrough Reset EP, the video is suitably hypnotic and matches the song’s mood perfectly.  So watch it.  And listen to more of his brilliant work.  I’ll be helping out on that front in an upcoming post…