Fishmans – Uchu Nippon Setagaya

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Have you ever heard of Fishmans? If not, that’s okay, because you’re here. I’m sharing their most incredible album. Uchu Nippon Setagaya is pure dub nirvana from Japan.

As a true believer in dub in all its permutations, I wholeheartedly consider this one of the best examples of the genre. Fishmans lit a constellation spanning the night sky from Kingston and Tokyo, mixing lush electronics, deep, wobbly bass lines, and the utterly distinct, androgynous vocals of lead singer Shinji Sato. Their final album may be the purest expression of this unmistakable sound.

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Gorillaz – Tomorrow Comes Today

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I’ve been on a weird nostalgia binge lately. Instead of wallowing in the shallow pleasure of reminiscence though, I’ve been trying to hear my old favorites with fresh ears. What’s new about it? How has my perception changed? Does it still hold up?

For a lot of my music choices past age 18 or so, the answer to that last question is yes more often than not. I present as evidence the first Gorillaz single, Tomorrow Comes Today:

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Diamond Terrifier – Ascribing Essence

Diamond Terrifier is the solo project created by saxophone destroyer Sam Hillmer, as a vehicle for the exploration of more nuanced territory than the blast furnace his day job in avant-jazz-noise group Zs embodies.   He’s got a new album out which I’ll get to in a moment.

For now, check this:

Twenty seven minutes of otherworldly bliss.  I’ve now listened three times in a row.  Each set bringing something new to the fore, shifting around the sweet spots.  Each time a novel element flashes brighter: the swarming Pharoah Sanders and Don Cherry echoes in the horn play, the primitively menacing percussion, the psychotic guitar threatening to derail everything at one point, even the familiar ghosts hissing between the cracks (hello, He Loved Him Madly).  It begins in earnest with Hillmer laying out a lyrical solo somewhere between siren and whale song and progresses to a full band tsunami where we have a synthy bass pulse emerging at times like a ship refusing to sink, only to rise in full sail near the end in a sax-and-laser maelstrom.

This incredible piece is just a taste of what this man creates, something taken to a much more personal and direct place on the new album, Kill The Self That Wants To Kill Yourself.  There’s a stream of one of the tracks on the Diamond Terrifier soundcloud, though I believe it works much better as part of the whole.

There it is.  Get it at Northern Spy.  They have great prices and (seriously) fast and helpful customer relations.

For fans of: John Coltrane, Terry Riley, Boredoms, Colin Stetson, Anthony Braxton, Ultralyd, adventures

Shadow Piece [mixtape]

Change begs itself.

I needed to do something different here.  Too much has happened to remain the same.  This will now be a home for mixtapes.  I will still write about music that I love, sometimes even in the same fashion as before, but this place will change.  I have a large mix backlog that can and will be shared, but I assembled one special for this occasion.  Here is the inaugural Optimistic Underground mixtape:

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Deadbeat – Roots and Wire

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Roots and Wire is a wide-scope ambient dub excursion by Montreal/Berlin based artist Deadbeat.

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Seefeel – Quique

Seefeel Quique

Seefeel are an extraordinary, epoch-defining band, a group which one often finds name-checked in the write-ups of other essential music. Their debut album is a groundbreaking masterwork that exists far outside of time.

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