Yesterday I listened to a mixtape featuring Angelo Badalamenti working out the original theme for Twin Peaks with David Lynch himself. I thought of all the fantastic music that’s sampled the haunting melody, and this Moby classic was the first to bloom.
Yesterday I crashed my bike. A kid skateboarding with headphones swerved in front of me. Hooked on a railroad track, I flipped and hit my head, destroying my glasses and shredding my hand. It was kind of terrible.
I woke today with my entire body aching, needing something gentle on the ears to go with my pain pills and coffee. I remembered a friend telling me that Annabel (lee) sounded “like a cross between trip-hop, smokey old-time jazz/Billie Holiday, and a bit of Matana Roberts.” He was right on the money. Thanks to Bandcamp, you can listen for yourself; the entire album is streaming below.
This album made a spot on my Best of 2014: Honorable Mention list, for a lot of great reasons. Here it is, streaming free in its entirety.
It breaks traditionally stone-faced drone music into wondrous, almost funny eruptions of surprise and joy. Its 83 minute running time seems monolithic and impenetrable until you actually hit play and topple inward. The first track bursts with a mischievous philosophical rant, peaking with the line,
“Grab yourself by the anus and turn yourself inside out. Reveal your inner workings! Put that which is most basic out into the light, and put the decorative outer wrappings where they belong.”
The final track ends in a fever dream of early industrial rock vocals and manicured feedback swirls. A whole lot of really fun, weird music happens in between. Fans of Fennesz, black metal, drone rock, David Lynch, and fucked up dreams: listen now.
Black To Comm is the artist name of German musician Marc Richter. He doesn’t have a lot of pictures online, so I just thought I’d share the album art in high resolution.
Here’s an amazing .gif of Special Agent Dale Cooper. Enjoy.
One of my favorite jazz vocalists ever, “Little” Jimmy Scott possesses an unusually high and beautiful voice due to a rare genetic disorder which stunted his growth and prevented the occurrance of puberty and the vocal changes that accompany it. Starting out in the 1940s singing for bands led by Lionel Hampton and Charlie Parker, he had a career often obscured by credit slights and contractual shenanigans until fading back into civilian life in the late 60s.. only to resurface in 1991 after his performance at the funeral of friend rendered listeners speechless and raised his name in important circles. His first comeback album earned Grammy nominations and he’s been steadily recording and touring to this day at the age of 86. My introduction personal introduction was thanks to the impeccable taste and foresight of David Lynch. Performing a song written by Lynch and composer Angelo Badalamenti, Jimmy Scott appears in the bizzarre and wonderful climax of the singularly brilliant Twin Peaks.
I’m in a time crunch on route to a long day at work so I will have to edit and elaborate tonight. I need to get this out and have you hear it so I’m hitting Publish now. I’ll also share one of my favorite Jimmy Scott releases in the near future. For now, enjoy.