17 Best Albums Of 2015

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2015  was an incredible year for music, full of surprises and second comings, weird new genres and unbelievable evolutions of existing sounds. Of course, every year is great for music as long as you’re open to new sounds. That’s how this whole thing works.

Every year, I enjoy writing down my favorites as I go along, adding them to a simple text file on my laptop. Sometimes I add stars to the albums when I realize I’m completely mad for them. For some albums, this means I find myself listening day after day, racking up dozens of plays. For others, this means that I’m struck so deeply on an emotional, intellectual, or even physical level that I can’t bring myself to listen again for a few days. Both experiences bring lasting rewards, especially when considered in the long view. This is why I love looking back and appreciating the permanent impact from these powerful pieces of music.

As it turned out, this year’s list included over twenty starred albums. I left a handful for my Best of 2015 Honorable Mention list, but the rest were simply indispensable. My list would not be complete without all of these albums.

So please, read on and enjoy. These are the 17 best albums of 2015.

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Funk Is Important

I’m always hearing music from outside my window. I live near a lot of bars, and my downtown has become a sort of motorcycle Mecca in the summertime, so I often hear classic rock or country blasting into my open windows before an open-throttle roar into the dark. It’s usually crap that I tune out, but just now I heard this song.

It’s Let It Whip, by Dazz Band, and it’s one of those songs you know even if you don’t realize it. Even better, it made me think about how fantastic it is that funk is making an oblique comeback in the cultural consciousness.

https://www.youtube.com/watch?v=XLFhNGHq3dE

I heard the bass line echoing through the full row of windows I’ve got cracked open on this balmy 70 degree night in late September, and sprung to attention. It’s one of my favorite funk tunes but I couldn’t place the name. Where did I first hear it? Probably a Grand Theft Auto game, I think. Since you’ve seen the video above, you know the answer is yes.

DazzBand

I’m feeling so thankful for Dam-Funk and his ambassadorship of the entire funk genre. If it weren’t for him, I don’t know if I would have ever taken a leap back into the sounds of Zapp, Cameo, and Funkadelic. The weirdest thing is, once I cracked open these sounds I realized that funk had been with me all along. I’d been living and breathing the familiar beats my entire life, influenced by movies and the radio I’d mainlined as a child, without ever explicitly focusing on the genre as something I’m passionate about.

There’s something inherently cheesy about a lot of funk, and that’s something that a lot of people have to get over before they can engage it head on. Funk is an incredibly earnest genre, and in our current culture that’s kind of an embarrassing, abrasive feeling to convey. It’s the opposite of comfortable detachment, in a lot of ways, and that just feels weird when you’re not used to it. But once you let it in and enjoy it on its own aesthetic and emotional terms, this is music to keep warm to.

Right now, I couldn’t be more glad that I’m a believer in funk. 2015 has been a banner year for the genre, infusing one of the biggest albums of the year from end-to -end with a hard-fought riot-funk edge and being shot into the sky in neon fireworks proclaiming its vitality. The latter was Dam-Funk’s very own Invite The Light, a triple LP that continues to be my most-listened album in months, and the former was the absolutely monumental To Pimp A Butterfly, from Kendrick Lamar. As an independent entity, it might be more of an endangered species among current music genres, but the essence of funk has once again blown fresh life into hip-hop and jazz alike.

EDIT: I seriously hope you clicked that Cameo link above, because the video for Candy is some seriously bonkers hypnagogic dreamstuff. Just watch it, I’m making it super easy:

WOW, right? I thought so.

Funkadelic – Maggot Brain

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On a weekend in August of 2015, I discovered Maggot Brain. I may have been 44 years late, but I’m just now realizing the depth and power that Funkadelic were capable of.

I’ve been on a funk kick, spurred on by the incredible new Dam-Funk album, and stumbled up on the evocative cover of Maggot Brain, with a woman’s head planted in the dirt, face frozen mid-scream.

It’s deeply unnerving, an iconic image that immediately sears into the memory. It fits the music completely.

Listen yourself:

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Dam-Funk’s Triumphant Return

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Dam-Funk has finally returned, and he’s taken funk right out of the atmosphere and into the deep reaches of space.

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Nite Funk – Am I Gonna Make It?

One of my favorite artists working today, the insanely talented Dam-Funk, got together with the nocturnally beguiling Nite Jewel one afternoon and crafted this vintage-future-shot of a dusky lovers’ jam.

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Dam-Funk – Mirrors

Dam-Funk, as readers well know, dropped one of the absolute hottest albums this year with the massive Toeachizown.  He’s already my personal choice for biggest surprise of 2009, and his debut is looking at best of the year status.  Here’s the inspiringly trippy video for infectious first single, Mirrors.

Lynch-esque employment of light and shadow!  Dreamy visuals!  Laser glowing keytar action!  Yes!

[album is on sale at stones throw in either 2CD or 5LP format – peep the gorgeous artwork]