Fox Bat Strategy

David Lynch is a 100% certifiable mad genius.  This is statement of fact, not opinion.  From film to music to writing to, well, reporting the weather,  he’s a transcendental force to be rockoned with.  In addition to having impeccable visual sense, an ear for ethereal storytelling, and the golden touch of endearingly profound weirdness, the man has unfathomably great taste in music.  To that end, he recruited David Jaurequi and several session players to record the music for his seminal Twin Peaks film, Fire Walk With Me.  Under the name Fox Bat Strategy, they appeared in the Pink Room and Blue Frank scenes, and also recorded this set of tunes written by Lynch… and promptly disappeared for years.

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Upon Jaurequi’s death in 2006, Lynch decided to summon this shelved collection of haunting pop apparitions toward the light of day.  It took him three years, but thank god he did at all.  These seven tunes are beyond cool – the perfect crystallization of the alluring idea of his film work translated into a darkly romantic album.

Fox Bat Strategy is pretty much what a David Lynch fan would expect based on experience with his unique oeuvre.  Sweetly menacing, reverb-laden old school bluesy rock sounds with a hint of pitch-black midnight surf guitar.  Lyrics written by the man himself straddle the line between Roy Orbison– or Ricky Nelson-style saccharine love ballads and the unnerving prose laid out in the dreamier sequences of Blue Velvet, Mulholland Dr. or Twin Peaks itself.  It’s too bad this is the only release we’ll ever hear; we can take comfort in the fact that there are at least a solid 40 minutes of smokey majesty to savor, again and again.

[please take the golden opportunity to purchase this via amazon or Mr. Lynch himself]

Yo La Tengo – The Sounds of the Sounds of Science

Yo La Tengo - Sounds of the Sounds of Science

Yo La Tengo are one of the most consistently brilliant and longest-running bands in existence today, rivaled only perhaps by Sonic Youth in the longevity-with-strong-artistic-integrity department. They’ve crafted everything from ferocious punk blasts to elegiac orchestral epics, infusing every sound with their signature heartfelt energy.

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Can – Future Days

Can - Future Days

Can rock the world.  Really fucking hard.  If you don’t know this in your body and soul, then take the time to either A) reassess your lifestyle, or B) start listening to their albums and make life a little better for your self and loved ones alike.

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Ras G – Brotha From Anotha Planet

Ras G & The Afrikan Space Program dropped this slice of wonky ‘ghetto sci-fi’ on an unsuspecting hiphop public this year and true to their nomenclature, it remains one of the spaciest jams I’ve heard from this region of the beat scene.

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This is the music that people will be playing in the ghetto on Mars in the year 3014.

The above quote, direct from the artist’s page, works as a warped mission statement for this project.  It speaks towards the aspiration and moody atmosphere laid down in this heady trip.  Ras G works magic twisting the listener through his aural wormhole and out into a galaxy where his old school equipment reigns supreme, wielding the power to shape all unnatural forces defining his sound itself.  A casual listen on moderate volume might give the impression of a rumbling, chaotic sound soiree – though like most good music of this sort, is an enveloping, otherworldly experience upon close inspection.  Free up 35 minutes and sit back with some headphones (and indulge in your substance of choice, if applicable) and feel the strange gravity.  Let go and be pulled through the rhythm into another realm.  And be sure to wave at Hal on the way back.

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[grab this for a reasonable ($6.99!) price at boomkat, Alpha Pup Records, or amazon.  it’s digital-only and the first release on Flying Lotus‘ very own Brainfeeder label.]

Cannibal Ox – The Cold Vein

2001: a Hip Hop OdysseyCannibal Ox dropped one of the greatest albums in recent history and then promptly vanished.  It’s possible the group was simply too incredible to exist; the universe self-corrected, erasing the extraordinary anomaly.  It’s a bit of a shame, but we have no place to complain when we’re blessed with this singular document of gravitationally scaled hip hop ferocity.

The Cold Vein is that rarest of creatures: an album that scales incredible heights both lyrically and instrumentally, stimulating all musical pleasure centers at once.  Vocal interplay between Vast Aire and Vordul Mega is a perfect dance between partners with different strengths, complimenting each others’ style every step of the way.  Throughout the record, they’re wrestling for control of the shambling, electro-crunch futuristic monster that is El-P‘s monumental production.  This lumbering beast rears its multifaceted head into the atmosphere via the first track’s sci-fi laser synthesizers and keeps pushing through uncharted territory with every minute consumed.  Feeling at times crunchy and nasty as the deepest early RZA work, a la Liquid Swords, the record’s more of a Transformer, flipping expectations and subverting comfort.  The surfaces constantly shift below Vast & Vordul’s feet, erupting in action-funk horn blasts, spacey organ bursts, complex breakdowns where the whole spectacle threatens to break loose and fly apart..  then it’s reigned in by these dueling aural lion tamers.  Combining cutting insight with surrealist connective tissue, the vocals flaunt every previously held rap paradigm.

Cutting through near-scatalogical Kool Keith-tinted non sequiturs, and the dystopian settings of Deltron 3030 (or Can Ox forebears Company Flow), are the surprisingly confessional moments embedded throughout – showcased in particular by the psychological turmoil of The F-Word and Stress Rap.  The one lyrical preoccupation easily identified is the emphasis on power, ambition, loss, survival, and pre-apocalyptic tension.  While not original in any conventional sense, it’s the way these themes are spun through nerd-genre sensibilities that lends weight and intrinsic appeal.  Like the best comic book and science fiction flicks, all the fireworks and metaphysical effects are merely tools aiding in the comprehension of universal truth and personal revelation.

I ain’t dealin’ with no minimum wage, I’d rather construct rhymes on a minimal page.”  This album is for dreamers and thinkers, unsatisfied with the state of the world, angry about the machinations of politics and culture, the stifling of creativity, the snuffed out aspirations.  It’s fuel for those striving, hoping, and fighting for a better place – even if it’s mental space.  Real Earth follows, after all.

[get your hands on this at CD Universe, with their list of relevant & worthy albums, or amazon of course]

Underworld – Second Toughest in the Infants

underworld-secondtoughest

Underworld could have laid claim, at a certain point in time, of being the greatest band in the world. Of course, Karl Hyde and Rick Smith are modest Brits and known to loathe any self-aggrandizing boasts; the music speaks for itself, on record or in person. They truly bloom in a live environment, as a matter of fact. Where most of their peers are revealed, like the Wizard of Oz, to be little more than men with smoke and mirrors, Underworld unleash a godlike stadium-sized audio invasion. I’m here to share an album, not an experience. So from here we go crazycrazycrazycrazycrazycrazycrazy

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Deadbeat – Roots and Wire

deadbeat-rootsandwire

Roots and Wire is a wide-scope ambient dub excursion by Montreal/Berlin based artist Deadbeat.

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