Dr. Strangeloop

Are We Lost Mammals of an Approaching Transcendental Epoch?

I think so.

Evidence:  A single 18 minute post-rock-esque collage of beats, spacey atmospherics, feedback skronk, beat loops, synth swells, and percussion galore; this piece has the arc of a massive Artistic Statement album, played in double time with enough dips, curveballs, and trap doors to lock interest in a firm grasp and obliterate all sense of time passing.

Primarily a visual artist, Dr. Strangeloop (seriously, check his vimeo page now) met Brainfeeder head honcho Flying Lotus in art school, where the two became fast friends, smoking and playing atari while working on film and music.  Currently VJ-ing Brainfeeder events and working on new music, this is his first release, created about a year ago.  He has this to say about the track:

I made it about a year ago, and it is probably the strangest thing I’ve ever shepherded into this world. It is one track, 18 minutes long, very lo-fi, and I picture it as some sort of narrative about the Singularity, mystical states, and the evolution of man. It is more post-rock influenced than the stuff I’m working on now, and is divided into three idiosyncratic movements.

So that pretty much sums it up.  This video gives a good taste.

[pick this dream shard up at boomkat or through brainfeeder itself]

Adventure Time – Dreams of Water Themes

Dreams of Water Themes is the stupendous result of a collaboration between Daedelus and Frosty, who christened themselves Adventure Time and cooked up a nautical stew of jazzy undercurrents, waves of turntablism, sampledelia swells, and clipped vocal crests, cut through with a crackling, frothy breeze.

adventuretimedreams

Check the end of this post for the full album stream.

It’s a unique project in the canon of modern beats, with the title and artwork indicating the type of hefty thematic glue unifying this far-flung enterprise – in other words, it’s one of the more cohesive electronic/hip-hop releases floating around. Fans of Daedelus’ opus Denies the Day’s Demise are in for a real treat; this LP hews closer to that record’s heights than any project he’s been involved in before or since. Loosely roiling keys, dizzy horns, vaguely mideastern strings and incisive, impeccably placed spoken samples drive the narrative thrust, while the constantly evolving yet self-referencing palate keeps two feet planted firmly on the deck through the half-hour-plus of churning beat seas.

There’s a certain whiff of Since I Left You rising off the whole affair, though it’s more respectful nod than straight homage or borrowed nostalgia; the pair acknowledge their forebears in the turntables-set-sail department without constantly reminding us of that towering landmark. Adventure Time created an ambitious – but consciously playful – musical journey which begs to take listeners out on a freewheeling voyage through the high seas of rhythm exploration.

[spotify https://play.spotify.com/album/45uDj7nLn5vusHupk8ZUxQ]

[snag a digital copy at 7digital or get the cd at amazon with its attendant cool packaging]

Pharoah Sanders – Karma

Pharoah Sanders - Karma

Pharoah Sanders may be regarded as, without reservation, one of the greatest modern jazz musicians. His saxophone has graced the heights of recorded music, including his work with John Coltrane on the revolutionary freakout Ascension and Alice Coltrane‘s spiritual jazz masterpieces. He’s played with nearly every major jazz artist you love and he’s appeared on more records than you own. Probably.

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Disco Inferno – The Five EPs

Here for all to witness is the wonderfully fleshed out evolution of one of the premier bands of modern times, Disco Inferno.  I’ve already shared their greatest album – DI Go Pop – so now it’s time to realize the full trajectory of this majestic yet mind-bogglingly ignored outfit from post-punk innovators to something altogether more advanced, alien, and never since equalled.

040618-disco_inferno

Between 1992 and 1994 this band singlehandedly expanded the concept of what rock music could be, influencing countless other forward-thinking artists while remaining shrouded from the public, and as it turns out, history’s gaze.  The five EPs collected here represent some of the most staggering artistic growth a single group has ever achieved in a lifetime – and Disco Inferno accomplished this feat in only two years.

DISCO INFERNO - SUMMER'S LAST SOUND EP F

Summer’s Last Sound

82427

A Rock To Cling To

DISCO INFERNO - THE LAST DANCE EP F

The Last Dance

DISCO INFERNO - SECOND LANGUAGE EP F

Second Language

DISCO INFERNO - IT'S A KID'S WORLD EP F

It’s A Kid’s World

[normally this is where you’re pointed towards a purchase point.  unfortunately none of these EPs have been reissued since their first release and are currently unavailable commercially.  if you find used copies please bring it to my attention and that will be shared here.  for now just enjoy the music.]

Dusty Kid – A Raver’s Diary

Here we have a truly mind warping, expansive, and impulsively danceable new album from Dusty Kid.  It’s a headlong rush into ballsy beats and trance-inducing atmospheres seemingly forgotten since the heyday of Underworld or Chemical Brothers.  There is a reason, after all, the album is titled A Raver’s Diary.

dustykidaraversdiary414

The record starts things off on a minimal tack, with the first song’s title broadly (but reductively) indicative of the forthcoming beats –  Here Comes The Techno.   The course is seemingly set for some ambient house, minimal techno, essentially Kompakt-esque left-of-the-dial approach.  That notion is neatly sliced apart via Lynchesque, an off-kilter wobble of pulsing dub beats and stratospheric key tones.  Tension and surprising depth are revealed as layers are peeled away, then rebuilt with pinpoint accuracy, paving the way toward the rest of the album’s skyward trajectory.

Soaring above cumulonimbus clouds on the quarter-hour behemoth America, the rocketship momentum blasts through affecting surges of echoed guitar tones and romantic organ swells, the distinct feeling of a heart growing four times it’s size.  Feeling like a series of towering waves crashing against eardrums, every buildup and breakdown reveals richer textures and an evolving structure.  The low-end grows deeper, organs are interrupted by staccato-pulse synths, strings and woodwind gusts wash over the dubby guitar line… and it all recedes into a gentle lull you may have seen coming for miles, but were hoping would happen anyway.  It’s instantly rebuilt, vertically, with an intense picked guitar solo as the spine every element wraps seamlessly around.  Anyone with a heartbeat would want to repeat the track at once; Dusty Kid never allows the opportunity to arise.  Agaphes grabs the torch running full speed and jumps through multiple doorways, burning toward the terminal end of this habit-forming beat odyssey.

After that, it’s okay to hit Play again.  In fact, it’s recommended.  The perspective is essential for grasping the journey this album takes.  He drops the listener straight into a party comprised of the tangible accumulated knowledge of travellers who journeyed to learn what partying meant.  Which is to say.. nothing more, nothing less, than the thrill of the rhythm.  Have fun.

[get your hands on this at boomkat or check out amazon – if so, make sure to utilize the customer review function to negate the ridiculous shipping-related score of 1 star (by a fellow who obviously doesn’t know what ‘review’ means)]

Boris – Flood

Boris Flood

Boris. Often mistakenly considered simply a doom/stoner/sludge outfit, the Japanese band has managed to subtly weave in varying textures throughout their discography. On this particular record, they keep things on a minimal page and emerge with their most powerful, transformative work in the process.

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ROVO – Mon

ROVO.  Get familiar. Featuring electric violinist Yuji Katsui and guitarist Seiichi Yamamoto (of Boredoms), this group has built a rock solid career releasing consistently vibrant, energetic, forward-looking, impeccably arranged tribal/jazz/electronic/noise/funk/dance-fueled records.  Yes, I just made a reductive chain of genre names.  Read on to know why…

mon

Mon is an unequivocal masterpiece.  Currently in the center of ROVO‘s ever-expanding discography, this is, to me, their most representative album – an absolute highlight of effortlessly addictive yet experimentally-tinged instrumental groovy goodness.  I truly hope you give it a listen.  For your own sake.

For many people (like myself), discovering this band is that *aha!* moment when they realize there is, in fact, a group making the kind of music that resembles what they’d subconsciously love to hear.  This is dream music in the most literal sense; it’s a perfect combination of previously-unrealized elements brought together in a cohesive, ambiguously, strikingly original sound.  Still, there’s a warm familiarity bred of the intuitively catchy, effortlessly hypnotic beats.  Even if it’s not horizon-expanding for you, this album has my guarantee as an invigorating wave of narcotic bliss.  Jump in, the water’s warm.  You’ll be back for more.

[this is a reasonably difficult album to track down, but I’ve found copies on amazon.jp (don’t worry, it can be read in english) and ROVO’s myspace has more info]