Beach House – Space Song

While writing about the incredible new Beach House album, Depression Cherry, I promised to share my favorite track. Now that the album is out, it’s right here streaming for your pleasure.

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Flying Lotus – Between Villains with Earl Sweatshirt, Thundercat, and MF Doom

Here’s a random tune I felt like sharing. It’s one of the sparkling gems unearthed in Flying Lotus‘ completely free collection of odd tracks from 2013, Ideas + Drafts + Loops.

Over a minimalist drum beat sprinkled with glistening harp runs, Flylo (as his rapping alter ego Captain Murphy) trades verses with an up and coming Earl Sweatshirt and the inimitable, eternal MF Doom (as Viktor Vaughn, of course). All the while, Thundercat floats an atmosphere of wordless coos spiked with live wire bass scatting.

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It’s a simple, tossed-off creation that feels no less gripping for being a free bonus cut. If you are a Flylo or hiphop fan in general, you owe it to yourself to download the massive and surprisingly cohesive collection of free tunes. Get it here (Mediafire and Sendspace links included). If you’re more into streaming, the whole thing is up on Soundcloud too. Tracks include Shabazz Palaces, The Underachievers, Baths, Niki Randa, and several pieces that will be familiar to players of Grand Theft Auto V.

There’s even a fantastic remix of Kanye West’s Black Skinhead, incorporating a buoyant Thundercat riff and delicate Radiohead sample. It’s definitely better than the original.

Oneohtrix Point Never has a new song, first single from Garden of Delete

If you follow this blog at all, you’ll know that Oneohtrix Point Never is one of my favorite living artists. Every time he releases new material, it’s a shock to the system, a completely unexpected delight.

This time is no different. Here’s the song, I Bite Through It:

Supposedly he’s been on an industrial tip after crafting a special set of abrasive material for his tour in support of Nine Inch Nails, but this sounds, typically for OPN, like an utter mushroom cloud deconstruction and reconfiguration of the genre, if anything. It’s too early to fully process this, and like every album of his, we’ll need the full context to truly understand. I’m just jazzed we’ve got something new to enjoy!

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The album comes out November 13 on Warp (WARP266) and you can preorder it from Bleep. I’m doing that right now because I’m a hopeless addict.

Miley Cyrus + The Flaming Lips Actually Made An Album

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So it turns out that all the BFF-ing Flaming Lips leader Wayne Coyne did with Miley Cyrus over the past year was actually in service of art. It’s called Miley Cyrus and her Dead Petz.

I just woke up and have nothing more to say about this, other than: it sounds like Miley Cyrus backed by The Flaming Lips. Or rather, it sounds like a particularly fizzy Flaming Lips album with Cyrus on vocals. I’m only a few tracks in and it’s… not bad at all. Enjoy?

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Funkadelic – Maggot Brain

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On a weekend in August of 2015, I discovered Maggot Brain. I may have been 44 years late, but I’m just now realizing the depth and power that Funkadelic were capable of.

I’ve been on a funk kick, spurred on by the incredible new Dam-Funk album, and stumbled up on the evocative cover of Maggot Brain, with a woman’s head planted in the dirt, face frozen mid-scream.

It’s deeply unnerving, an iconic image that immediately sears into the memory. It fits the music completely.

Listen yourself:

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Dam-Funk’s Triumphant Return

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Dam-Funk has finally returned, and he’s taken funk right out of the atmosphere and into the deep reaches of space.

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Stereolab’s Ticker Tape Of The Unconscious

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I know I just wrote about Stereolab, but I’m in the middle of a binge. Indulge me?

I just listened to my brand new vinyl edition of the band’s 1997 masterpiece, Dots and Loops. It reminded me that, through all the jazzy sprawl and monastic focus of the album, this dreamy pop song lingered in my mind the clearest.

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