I’m not normally that interested in mashup videos, but this one combines one of my favorite musicians with one of the best shows on TV in expert fashion. It’s Rick and Morty synced up to Kendrick Lamar‘s breakthrough single, Swimming Pools (Drank).
Watch below. It’s kind of incredible.
This week saw a small explosion in surprise music releases, with both Radiohead and James Blake dropping new albums mere hours after announcing them. It also brought one of the best politically charged albums I’ve heard in a very long time, from Anohni, formerly known as Antony Hegarty. This trio of releases opened a bold new chapter for gorgeous British vocals in 2016.
As someone who listens mostly to instrumental music, it was a refreshing change of pace. Let’s get into it.
The Colour In Anything sounds like that exact moment when you witness a loved one realizing their full potential. So don’t call it a comeback; this is the sound of eventual self-discovery.
I’ve said it before, but Orange Milk is one of the most exciting music labels out there right now. They’ve published some of my favorite albums of the past few years, from Giant Claw, Nico Niquo, and more, so I’m always on the lookout for what’s next. This week, my eyes fell upon the cover of NV’s Binasu and I knew I needed to listen right away.
The impossible is now possible.
Radiohead have come back from a well-deserved but decade-long victory lap, making truly fascinating music again. This is vital stuff, the kind of work that will actually justify the coming weeks of breathless dissection. It’s more deserving of the clichéd descriptors that critics have reflexively thrown at the band – haunting, gorgeous, unnerving, innovative – than anything they’ve ever recorded.
Radiohead dropped a song out of nowhere last Tuesday. It was good enough to fill me with hope for the first time in over a decade. Then they did the seemingly impossible: released a second pre-album single, three days later, that was better than the first.
As if fans wouldn’t have gone crazy enough with a simple, “we’ve got a new album” tweet, the band went for a full-blown now you have my attention moment:
This week was shot out of a cannon. I was out of town, spending the weekend in Chicago, visiting the aquarium and accidentally joining a political protest, but I returned to great news.
Radiohead was suddenly back and doing interesting things. I had new vinyl from Can and Andy Stott. Beyoncé was still riding high on the crest of a mighty art-pop wave, and her album was still lodged in my car stereo. Then, after the worst storm of the year, the sun came out to play.
Let’s get into it.
Optimistic Underground 