I just keep coming back to this little three song EP and I finally realized why. So I wrote about it because more people need to get familiar with Project Pablo.
I haven’t listened to footwork this bracing since the first time I heard DJ Rashad.
That thought ran through my head mere minutes into this incredible set by DJ Paypal, the brief but incredibly energetic Sold Out. If you’re familiar with the Rashad and the wider genre at all, you’ll know how bold of a statement this is.
Sometimes there’s no better way to discover music than aimlessly sliding through the dark dream of the internet.
One day at the office I was looking for something that I could drift to. I wanted a sound that stretched like taffy until it reached the horizon. I needed my surroundings blurred beyond recognition, smeared into the very fabric of reality. With 新しい日の誕生 (Birth of a New Day) by 2814, I found exactly what I was looking for.
This is hard to explain, but I promise that Elysia Crampton has recorded some of the most ecstatic and staggering music you’ll hear all year. There’s a deep spiritual undercurrent to her new album that elevates it far beyond mere conceptual music. This connects to my heart, my head, and my gut, rendering me speechless.
The album is only 30 minutes, but covers a galaxy of feeling that I’m feeling unprepared to describe this morning. Just listen if you want to hear something startling and beautiful.
This is fun and fantastic. Psychedelic, hypnagogic, sampledelic. As I said to a friend yesterday: It’s what I listened to when I was in an Ash Ra Tempel mood. Yet actually, thanks to the external memory I can see that I actually said, “I’m in an Ash Ra Tempel kinda mood but this fits perfectly. Even though it’s more like Avalanches.” So there’s that.
First: sorry I’ve been sort of quiet for a few weeks.
It’s true. This one pays far more than my prior occupation so it’s worth the being-busy-all-the-time aspect. However I have not – cannot – neglect music and thus always have something worth sharing with the world. Every commute, every bicycle ride, every nighttime book devouring session is accompanied by something new, expansive, exciting… punctuated by old favorites I find myself doubled over with joy upon re-hearing. So I’ve got something to say.
Unfortunately I worked my brains out today and must save the in-depth breathless praise and wild exhortations to purchase vinyl for the remainder of the weekend. I will simply state that there are a few albums I’m quite taken with, continually listen to, and wish that more people would get familiar with. These are a few of them:
United Waters – Your First Ever River
Sensations’ Fix – Fragments of Light
Robert Fripp – Let The Power Fall
Fleetwood Mac – Tusk
Drive (Original Motion Picture Soundtrack)
Thundercat – Golden Age of the Apocalypse
and finally, with apologies to the artist herself:
Matana Roberts – Coin Coin Chapter One: Gens De Colour Libres
Because this is, by some distance, one of the most powerful and heartfelt albums of 2011 and I really should have shared all about it when I got it months ago. I promise – I swear – I will soon. Keep an eye on this page, and stay ready for the deluge.
Since I actually sought this out on tv and stayed up to watch it, AND it turned out to be more than worth the time and effort, sharing seemed to be on order. It’s Tyler, The Creator and Hodgy Beats of OFWGKTA.
So check this out and enjoy it as I have. Several times already. A few highlights: Their insane energy and enthusiasm. Tyler getting away with wearing the upside-down cross ski mask. The song itself, fucking great even when edited. The J-horror girl standing there doing nothing. The gnome. Felicia Day warily shouting “WOLF!” And of course the perma-grin final few seconds in which Jimmy Fallon carries Tyler piggyback, and a (possibly inebriated?) Mos Def shouts “SWAG, SWAG, SWAG!”