The Boo Radleys – Wish I Was Skinny

I forgot how much I loved this song.

Despite the title, the lyrics are actually about all sorts of insecurities that we find ourselves plagued with. The song happily dances upon the surface of existential loathing, a buoyant celebration of being weird and alone and, on rare occasion, freaking out and having some unbridled fun.

I’d never seen the video before today, so I’m thankful I thought to look it up. The band members star as put-upon losers who let loose a bit of anarchy in the driving, instrumental second half of the tune. It’s basically what I saw in my head every time the song played, a cathartic release of tension and inhibitions. After all these years, it’s still a burst of joy.

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The Boo Radleys may be remembered in Britpop history for their 1995 breakthrough Wake Up!, but I’ve always had a much softer spot for the previous album, Giant Steps. Wish I Was Skinny is a bit of a red herring, since the rest of the album is a turbulent, dizzying race through a dense series of wild sound worlds.

It’s an incredibly ambitious psychedelic pop album, veering from washed out shoegaze to broken jazz explosions, infused with an uncanny pop sensibility that makes even the noisiest parts endearing. It was ballsy to name an album after the John Coltrane masterpiece, but if anyone in the world of 90s British rock deserved to use it, it was this band.

If you become nauseous at the mere mention of Oasis, don’t worry. These guys have more in common with Mercury Rev or My Bloody Valentine than those lamentable torch-bearers for British pop overseas.

Stereolab’s Ticker Tape Of The Unconscious

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I know I just wrote about Stereolab, but I’m in the middle of a binge. Indulge me?

I just listened to my brand new vinyl edition of the band’s 1997 masterpiece, Dots and Loops. It reminded me that, through all the jazzy sprawl and monastic focus of the album, this dreamy pop song lingered in my mind the clearest.

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Walking With Jesus

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I had a conversation with a friend today about Christian music and why it mostly bothers the hell out of me. (ha) I realized it’s that sense of overt politeness, the way it’s crafted – an official Christian musician seems to have all rough edges sanded off, as pious as a politician tries to look – that takes away any depth and feeling in the lyrics or music itself. It lacks almost anything that I could normally grasp as enjoyable.

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Sigur Rós “Untitled” – amazing music video, reminds me of…what?

I’ve been fond of this brilliant clip for well over a decade, yet I never quite put my finger on what 20th century sci-fi short story it reminds me of.

I’m thinking Bradbury, I’m thinking Clarke? Dick? I have no idea. I merely recall a short story in middle school English class that lodged its way deep into my mind. The story of kids in a future (on a different planet?) where they could not go outside because of some extreme weather phenomena, and finally had a momentary opportunity to do so. It could have been poisonous air, like this video. It could have been solar radiation. I could be entirely wrong.

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Does this ring a bell to anyone? Does the video conjure memories, or the name of a story?

I know I could probably stumble through google trial and error and figure it out, but I prefer learning things directly from people. I like finding out what happened because someone told me. I like having a connection reveal the information I seek, at least some of the time.

It can get lonely, having all you need to know at your fingertips all the time.

~

I read today that Vertigo Music would have the first vinyl issue of Ágætis Byrjun since its original pressing 15 years ago, and was reminded that I hadn’t paid this group much attention in recent years. Their impact may have dulled a bit with the passage of time and a billion miles traveled in my music journey, but there’s still nothing quite like Sigur Rós.

If you can help with my search, or if you’re just reading this, thank you. I write for you.

Rubber Johnny, the most bonkers of all Aphex Twin videos

I just needed to share this right now.

https://www.youtube.com/watch?v=nO2IINDm_A0

I forgot for the longest time. I had somehow missed the opportunity to share this infamous and absolutely captivating music video on Optimistic Underground for a long, long time. It’s based on one of the final songs on Aphex Twin‘s spastic genius monument, Drukqs, and it’s one of the most unforgettable videos you’ll ever see.

There’s not much to say about this, other than make sure to pick your jaw up after it’s over, and try not to be upset if it takes you outside your comfort zone!

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Enjoy!

Rest In Peace, Tangerine Dream founder Edgar Froese

My morning news just brought word that Edgar Froese, founder of one of my favorite bands of all time, Tangerine Dream, has died at age 70. The cause of death was pulmonary embolism.

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Tangerine Dream, for those only familiar with the name via a smattering of mostly-great 1980s film soundtracks, were one of the most innovative and popular bands to emerge from the 70s German krautrock / kosmiche scene. Constantly evolving, they helped birth the modern ambient sound and informed generations of electronic music in every form. Froese was the only consistent member through dozens of lineup changes that included the luminous contributions of Klaus Schulze and Conrad Schnitzler.

Moving from spooky moonscape-scouring meditations through epic space rock and pulsing dance music, Froese never let the band stay perched on one sound for long. With over 40 years worth of music to choose from, fans of the band can never reach consensus on what is the best. Personally, my heart will always return to Rubycon. The eerie psychedelia on these two tracks laid the blueprint for ambient rock, but was so much more than a chill-out session. Analog synth arpeggios lay a spaced out bed for for a quietly propulsive rhythm. With a wash of disembodied choral voices influenced by György Ligeti, plus tactile sounds from gongs, strings, and woodwinds, the eponymous pieces build tension and ease it away like a tidal wave in slow motion.

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Oneohtrix Point Never + Philip K. Dick

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Today I’m taking shelter in my apartment while a certain Christian music festival rears its ugly head across the street. Fanny-packed crowds flood the streets below while devotional rock blasts through the windows. I shut the shades and find my Rifts box set, selecting the third and possibly gentlest Oneohtrix Point Never album, Russian Mind.

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