Tame Impala – Yes I’m Changing

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They say people never change / but that’s bullshit; they do

Tame Impala‘s new album Currents is flat out fantastic. You can hear the synth-laden psych rock epic before it’s officially released or stick with the official singles for a couple weeks.

Or you can check out one of the best tracks from the album right now. It’s a deep cut called Yes I’m Changing, and it gives me some serious feels.

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Tame Impala’s new album Currents is out there [leak]

Tame Impala have a new album coming, but the internet-savvy can hear it a little early. This is just a heads up for fans who can’t wait for their LPs to arrive, or a proper stream to go live. You can listen to Currents right now if you know where to look. (see below)

If you’d rather wait, tide yourself over with the exquisite, motorik-tinged first single Let It Happen. This epic in miniature is the first track and really sets the tone for the new, expansive and more openly electronic sound flaunted on the album.

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First Thoughts on Aphex Twin’s Syro

On Wednesday, September 17, 2014 at some point after 7pm, Aphex Twin‘s first album in 13 years leaked. Syro is playing right now, and I have a grin as big as the one below.

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Just as I start typing well past the halfway point of this album, a sudden dynamic bloom splits CIRCLONT14 wide open. Wordless female vocals seem to come from below and around me, before erupting a cyberpunk break straight from future-Detroit. This is one of many moments so far to truly surprise me and dilate my eyes, and it’s the biggest so far.

Somehow time seems to be stretching forever. The songs appear to go beyond their track lengths. This is a wildly unnatural sensation. Fun times usually pass in a flash. I’m definitely having fun.

A boogie funk line just hijacked the proceedings. I’m now unable to think of what came before. Wait, no. Let’s jump back to the beginning.

It begins with minipops 67. We know how grand this is, how warm and sensuous it is, referencing the first Aphex Twin album and his boldest pop moment at once. Next..

Now I’m hearing a synth ghost chorus, high speed jazzy drum programming, and what can only be described at this moment as an equatorial oscillation. Maybe that should be a question? It sounds like nonsense. I’m not going for anything profound right now. This isn’t going to end that thoughtfully. I just wanted to lay my excitement down in words, as it happens. Gonzo style. Of course, I’m safe, alone, and in my apartment, but all the same: this is me experiencing an album I never knew I wanted so badly for so many years.

As the final track, aisatsana (Anastasia in reverse, incidentally) winds down in GymnopĂ©die-like ecstacy, I’m reminded of nothing so gentle and haunting as Virginia Astley‘s 1983 song A Summer Long Since Passed. I’d rather not spoil anything, so just listen to this song if you want a metaphorical preview of Syro’s ending.

I feel like maybe the title is appropriate, somehow.


I’m starting it over. Track two now, and I’m realizing how tactile this thing feels. I may get the cybernetic dream sequence feeling from Selected Ambient Works 85-92, but it’s far more alive. I can’t wait for the the arrival of my 3LP next Monday.

FINAL MASTER SYRO DIGIPAK.indd

The leak is out there. I won’t share links because anyone interested enough can find them. Besides: buy this. Buy it now. I did before hearing even the first single, and now I’m cemented in my belief that it was a Good Choice. If you’re a fan of the man at all, this is a sure shot. Check the Warp page for links to purchase.