Demdike Stare – Elemental

Demdike Stare hit my radar when a friend insisted I listen to The Stars Are Moving because it was totally my sort of thing – and a massive understatement.  Liberation Through Hearing was not only on my Best of 2010 list, but part of the Tryptych compilation serving up a universally praised 160 minute slab of deep nocturnal bliss across three albums and discs.  Having so much aural brilliance to chew on felt like an embarassment of riches before the craving for new material hit well before a year had passed.  Thankfully the duo of Miles Whittaker and Sean Canty were busy interlocking the pieces on an even more audacious free fall into the abyss with a 4 EP / 2cd set which stretches their sound in increasingly hypnotic new directions.

The music here is given more space to move and to sit still.  There are great leaps beyond their established spooky dub dream style into riots of kraut percussion, melodic poems buried in noise fields, and climaxes of bloody tribal warfare.  This is nothing short of the full realization of their shamanistic trance ritual ethos, both more explicitly sculpted and expansive than all prior work combined.  Songs cover wildly varying grounds – from beatless waves of digital grain to mountains of swarming disembodied vocals – while retaining a unified identity that would make the cover artwork jealous.  Elemental strikes this perfect duality of technical bass mastery and unhinged manace, igniting every dark pleasure center in my auditory complex.  It’s a soundtrack to my strangest apocalyptic dreams and the kind of art we could only wish more artists knew how to craft.  This is a self contained cult in album form, a ritualistic palate cleanser which will make other music obsolete for a while.

Elemental, in its 2cd form, is fully streamable on soundcloud, right here:

For those lacking time or attention span, a couple highlights:  cinematic Mephisto’s Lament and steamrolling Erosion of Mediocrity both destroy worlds and illuminate vastly different aspects of this set.

The fidelity is great but buy the real thing to fully absorb the meticulous near-chaotic detail in Demdike Stare’s work.  If you’ve got the fetish and the cash seek out the extremely sold-out 12″ vinyl set from sellers on discogs or ebay.  If you want to hear this masterpiece in optimal form for a reasonable price, grab the 2cd set, featuring alternate edits and new cuts fleshing out the experience; believe me, they’re essential and can’t be considered bonus.  Keep in mind that this is selling out quickly as well!

For fans of: Shackleton, Actress, Oneohtrix Point Never, Coil, David Lynch, Joseph Conrad, exciting nightmares

Spiritualized – Hey Jane

jason-pierce-of-spiritualized-at-camden-roundhouse

So an artist I’ve loved for over a decade is about to release (maybe) the best album in that time, and it’s preceded by a video I’ve waited criminally long to share with everyone. I feel like a jerk. Sorry.

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Shadow Piece [mixtape]

Change begs itself.

I needed to do something different here.  Too much has happened to remain the same.  This will now be a home for mixtapes.  I will still write about music that I love, sometimes even in the same fashion as before, but this place will change.  I have a large mix backlog that can and will be shared, but I assembled one special for this occasion.  Here is the inaugural Optimistic Underground mixtape:

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Colin Stetson – A Closer Look At ‘How’

I already shared about this man and his beyond brilliant ability to unleash a maelstrom of sound with one instrument and his lungs, but felt I could go deeper into showing how he does it.

This is a simple close up view of his process, without explanation.  Seeing is believing…

…and because the man himself can elaborate simply and articulately about his process, breaking it down while he works, I’ll share this too.

As you can see, knowing how this feat is accomplished is a far lesser thing than the act itself.  Just look at that monstrous horn!

Read my original post about his pair of astounding 2011 releases here.

ATTN: unintentional hiatus.

Or: I will not have much opportunity for internet-related anything for the next month, but would love if any of you friendly charitable readers / friends / good samaratins could help keep me up to date on great music still being released in the late hours of this year.

So please, leave a comment here and let me know what you’re into, the triumphs and sure shots and surprise masterpieces I’m missing out on.  I promise to get myself caught up in due time and come roaring back with a vengeance.  This is a time of patience and focus for me, and the words are building up.

For now, I leave you with one of the greatest pieces of music ever recorded: After The Flood, by Talk Talk.

I once said “This song is a sentient being,” and I still stand by that statement.

I Found A Star On The Ground

So the Flaming Lips made a 6 hour song.

As a longtime fan I am horrified, annoyed, and yet..  far too curious not to listen.  I’m over halfway through the first hour and thinking this hasn’t been any more a waste of time than any other new music from a great band I could be hearing.  In other words, I’m glad I dove in.  In all likelihood you will be too.  It’s the only sort of trippy space adventure you’d expect to last so long.  Listen below.

The Flaming Lips – I Found A Star On The Ground

Part 1 / 3

Part 2 / 3

Part 3 / 3

The story goes that band leader Wayne Coyne was playing with some psychedelic toy and thought, if this one device can provide hours of entertainment, why can’t a song?  Hence the astounding, ridiculous length of this piece.  For the increasingly preposterous band – already known for their gummy skulls, fetuses, and assorted collaborative gimmicks this year – it’s not such a leap toward releasing a quarter-day song.  Let’s face it, if you’re already on their weird train, you’re psyched about this.

The USB stick containing the music is in there somewhere.

Having heard almost a third of this I can report that it’s basically a version of their Embryonic-era dirty ambient krautrock jams, stretching ever deeper into a black hole.  It stretches as it goes on and folds in a few new wrinkles along the way.  I won’t speculate as to where it goes in the next two segments but I can imagine if you enjoy the first 10 minutes, consider it a keeper.  Fucked up way to get our attention aside, this is actually fun.  Let me know if any of you have purchased the hallucinogen accessory kit pictured above.

The Psychic Paramount – II

So I know I’ve been sluggish this year with Optimistic Underground.  I relish being able to share the music enriching my life with you.  I hope to rectify this laziness starting now, with The Psychic Paramount and their (hopeful) breakthrough album II.

I had this whole through-line about jet engines and surgical instruments and LSD and This Heat and Les Rallizes Dénudés and Miles Davis and cathartic volume levels…  but I got caught up, slack-jawed and blasting this album again.  It’s almost like a psychedelic brillo pad, carving clear my thought channels and surrendering my body to oblivion.  A therapeutic breakdown of cogent narrative, this thing blasts away the outside world and disconnects me, sets me free in a way only the most blissed out Lovesliescrushing or hard droning Boris album can.  It strikes an unknown sweet spot, defying gravity while splaying my brain with crushing heft.  Crucial to this power is the flawless production, zooming in on every microscopic detail yet capturing the panoramic magnitude these songs inhabit.  A dizzying high wire act of wide-eyed clarity, this album satisfied me in places only a fellow Swans or John Coltrane or Fennesz fan would recognize.

Second track DDB, opening with one of the more gentle passages on II, grows like marshmallows in the microwave, devouring 9 minutes in a wild-fire.

While I’m dropping names, I should mention that if you like Boredoms, Eternal Tapestry, Lightning Bolt, Fushitsusha, or anything within orbit of those bands, you will find yourself punch drunk and melting to this album.

[Released by No Quarter, the album is available at the label’s page for only $11 on cd or vinyl.  So get it there.  Listen to the free stream while you wait.]