What I’m Into This Week (4/3 – 4/9)

Nausicaa - Toxic Jungle

Remember how I mentioned springtime last week? Just kidding! It’s winter again here in Michigan, and I’m pretty broke, so I ended up staying home and listening to warm tunes most of the time. I discovered some real surprises by going out and simply looking for anything that felt new, an activity that I should do more often.

There’s nothing much more rewarding than setting out to surprise yourself and then doing exactly that.

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Oneohtrix Point Never will release his Magnetic Rose score on Record Store Day

So, this is more of a news item than music that I’m sharing, but I’m too excited to keep it to myself.

Last October, Oneohtrix Point Never (aka Daniel Lopatin) recorded a brand new score for the astonishing 1995 anime film Magnetic Rose, premiering it live along with the film itself at a live event in the UK. I obviously and regrettably did not attend. However, good news is afoot!

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Today Lopatin announced that he will be releasing a follow-up to last year’s Commissions I 12″ on Record Store Day, surprisingly titled Commissions II. The new release features selections of his suite inspired by the video game scores of Manabu Namiki, Bullet Hell Abstraction, on side one. The bigger news for this fan, however, is that side two includes music from his re-imagined soundtrack to Koji Morimoto’s aforementioned anime short, which was originally part of the Memories trilogy.

You might recognize Magnetic Rose as the film gracing this very blog’s headliner – that decaying future piano resides at the heart of the mind-bending film. I consider it a sort of psychedelic cousin to the original Alien.

The release is over 30 minutes long and boasts more minimalist cover art from Robert Beatty. Hopefully that blue X is another die-cut detail like part one had!

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So, fellow Lopatin fans, keep an eye out on Record Store Day 2015, which hits Saturday, April 18.

Progress [mixtape]

PROGRESS

I made this in springtime, as I was coming out of an anxious, fearful period of my life. It’s the sound of an airlock opening, of stepping outside for the first time in years. It’s my fucked up, weird nostalgia for the future, and it works. This is the sound of me beginning to feel OK again.

The future’s going to be alright. Things have changed. This is Progress.

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