Joanna Newsom Has Returned! New Single: Sapokanikan

I absolutely love Joanna Newsom.

I was just talking with friends the other day, sharing our hopes that Newsom would return possibly after winter, early next year. Her last album, the monumental triple-disc Have One On Me was not only a masterpiece; it sustained enough soul-chilling moments to last us the past half-decade.

So expectations are kind of high for her upcoming album, Divers. Announced today along with this video, it’s coming a week after my birthday: October 23, this year.

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I Think It Is Beautiful That You Are 256 Colors Too

Because sometimes it feels like this.

My mom would have been 65 today. She liked Black Moth Super Rainbow, said it often sounded pretty, reminded her of The Beatles, “but way weirder.”

This tune always felt oddly touching. The combination of sweetly nostalgic melodies and an alien vocoder masks the deep sadness of the lyrics. I feel like my mom would wish the singer felt better.

Sitting in the humid blur of the summer, on a day that’s stormed twice between bouts of unflinching sunny splendor, this tune hits the spot in a way nothing else can.

I don’t want to live through winter
I can’t stand to see everything ending

I’ll just stand on the meadow
I’ll be taken by sunbeams
So goodbye

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Kendrick Lamar – To Pimp A Butterfly

Kendrick Lamar‘s new album, To Pimp A Butterfly, is out by surprise a full week ahead of time. It’s for sale digitally and streaming in full on Spotify. Click play below. Right now.

I’m sick. I woke up today too ill to even go to work. But then this happened. I’m feeling a bit elevated right now.

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I don’t have anything too meaningful to say yet. Here’s a couple comments I made with friends during my first and only listen:

  • I don’t care about what anyone else has to say on the first day of an album like this, that’s going to have a lot of discussion flying around. I like to hear it “pure” as can be, I suppose. So uh, after 2 tracks I’ll just say that I’m really enjoying this, and the dark swirl of production tics is reminding me of D’Angelo’s latest (Best of 2014 album by the way), in a really positive way. Old and new sounds mixing for something vintage but not dated sounding, maybe?
  • Almost at the end. Loving the thick jazz sound. Not quite jazz-hop in that Digable Planets way, it does remind me of their masterpiece Blowout Comb in a very slight way… which is a good thing since that’s a top 10 album of the 90s for me.

There’s no need for a lot of discussion the moment something as important as this hits our collective ears. Just listen and absorb it. We’ll talk later.

Edit:

Second listen observations: thinking that this evokes the warm but gritty production of D’Angelo’s Black Messiah, the sprawling, psychedelic structure of Shabazz PalacesLes Majesty, and the free jazz embrace of Flying LotusYou’re Dead. It’s no coincidence that all of these featured on my Best of 2014 list. I’m linking it again for emphasis – if you like this, there’s a lot of fun music streaming on that page. This album is hitting me with a deep and immediate connection.

CFCF – You Hear Colours [incredible video]

“This seems really poppy/upbeat for you. Of course I’m always imagining you listening to weird post breakbeat Croatian footwork jazz with Russian metal and Japanese house influences”

The above works were spoken to me by a friend as I shared this fantastic video for an old CFCF track.

While the artist has evolved into something far more weirdly specific and perfect for my tastes (see his last album and Night Bus mixes, which have obviously influenced my own mixtapes), this is the song that started it all. I was immediately hooked and never looked back.

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I don’t really have anything else to say. Ed said it best. Enjoy!

Flying Lotus – Coronus, The Terminator

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Just now, Flying Lotus dropped a second preview track for next month’s long anticipated album, You’re Dead! The song is titled Coronus, The Terminator, and you can listen right here:

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The Flaming Lips – The Soft Bulletin

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This album is GOD.

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Destroyer – The Laziest River

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When I purchased the 2lp edition of Destroyer‘s 2011 pop masterpiece Kaputt, I had no idea that the bonus track promised on side C would slowly become the languid circulatory system of the entire album.

It swims in an embryonic well from which the other tracks drink, all held breath and deep plunge. It’s patient and fragile, and just may comprise twenty of my favorite minutes.

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