Kamasi Washington will detonate modern jazz with The Epic

Who is Kamasi Washington? He’s the guy who made all of the fantastic sax sounds that you loved on both recent (and brilliant) Flying Lotus and Kendrick Lamar releases. Albums You’re Dead and To Pimp A Butterfly would feel utterly lacking without Washington’s input; his freewheeling tones form the sharp jazz edge cutting through both masterpieces.

This 14 minute tune is but a small piece of the upcoming, appropriately-titled debut album The Epic – it looks to be a sprawling, three hour affair aiming to throw down the gauntlet for modern jazz. In a genre valued for innovation and stratospheric ambition, the traditional live jazz band has been laying in stasis for a couple decades now. Real innovation has come from beyond left field, from electronic artists playing with jazz forms and ideals while never really touching the live band setup. Washington could change that perception.

As Flying Lotus himself put it, “everybody is trying to do the same shit. I don’t want to hear ‘My Favorite Things’ anymore.

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As a hardcore fan of the genre myself, I couldn’t put it any more plainly. This tune, along with a new exclusive song featured on Revive (I hope to have a copy streaming here soon) have jumpstarted my hopes for a new generation of the kind of wildly psychedelic, expansive, weird jazz that sits near and dear to my heart. Fans of later John Coltrane, Miles Davis, and especially Pharoah Sanders are highly encouraged to listen right now.

One last thing: Washington has been featured on this site before, as part of the Miguel Atwood-Ferguson ensemble. The band included Flying Lotus, Thundercat, Rebekah Raff, and Chris “Daddy” Dave, some of the best jazz musicians alive today. Their live take on Drips//Take Notice is one of the greatest live jazz performances recorded in the past few decades, if that’s any indication of this man’s talent.

Kendrick Lamar – To Pimp A Butterfly

Kendrick Lamar‘s new album, To Pimp A Butterfly, is out by surprise a full week ahead of time. It’s for sale digitally and streaming in full on Spotify. Click play below. Right now.

I’m sick. I woke up today too ill to even go to work. But then this happened. I’m feeling a bit elevated right now.

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I don’t have anything too meaningful to say yet. Here’s a couple comments I made with friends during my first and only listen:

  • I don’t care about what anyone else has to say on the first day of an album like this, that’s going to have a lot of discussion flying around. I like to hear it “pure” as can be, I suppose. So uh, after 2 tracks I’ll just say that I’m really enjoying this, and the dark swirl of production tics is reminding me of D’Angelo’s latest (Best of 2014 album by the way), in a really positive way. Old and new sounds mixing for something vintage but not dated sounding, maybe?
  • Almost at the end. Loving the thick jazz sound. Not quite jazz-hop in that Digable Planets way, it does remind me of their masterpiece Blowout Comb in a very slight way… which is a good thing since that’s a top 10 album of the 90s for me.

There’s no need for a lot of discussion the moment something as important as this hits our collective ears. Just listen and absorb it. We’ll talk later.

Edit:

Second listen observations: thinking that this evokes the warm but gritty production of D’Angelo’s Black Messiah, the sprawling, psychedelic structure of Shabazz PalacesLes Majesty, and the free jazz embrace of Flying LotusYou’re Dead. It’s no coincidence that all of these featured on my Best of 2014 list. I’m linking it again for emphasis – if you like this, there’s a lot of fun music streaming on that page. This album is hitting me with a deep and immediate connection.

Flying Lotus – Never Catch Me [heart stopping music video]

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I’m seeing two children hop out of their caskets at a funeral and dance, running for the door. They’re grinning as they look back. I’m grinning as I watch. This is one of the most beautiful moments I’ve experienced in a while, and it’s the best music video I’ve seen in years.

My heart is full and I’m beaming. This is the definition of life affirming cinema. Flying Lotus (aka Steven Ellison) and director Hiro Murai have rendered the joy of life on a grand scale, as only those who have lost it may experience.

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Flying Lotus – Coronus, The Terminator

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Just now, Flying Lotus dropped a second preview track for next month’s long anticipated album, You’re Dead! The song is titled Coronus, The Terminator, and you can listen right here:

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