Hiroshi Yoshimura – Music For Nine Post Cards

Do you ever hear a piece of music that feels like it was made exactly for you at exactly the time and place you’re hearing it? Music that just fits, wraps around you, slips into your mind like the first blush of sun coming in the window? Music so effortlessly enjoyable that its radical warmth goes unquestioned? I’m not talking simply love-at-first-listens; it’s a different thing. I mean music that feel as natural as breathing.

Music For Nine Post Cards does exactly that. Hiroshi Yoshimura may have recorded this album in 1982, but it slipped into my winter 2018 sound world without notice and quickly became the contemplative little heart at the center of the new year’s listening.

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Until the End of the World [mixtape]

Every day, I’m becoming more and more the person I decided I would be. There is no immutable, core me – at least, not on a long enough timeline. It’s freeing to realize this and to reflect upon it every once in a while.

They say that no matter what you’re writing about, you’re always revealing yourself. A moment on this blog tells you I keep my mind on the future, and I keep its aim true with a steady diet of sci-fi, art, music, and stories all filling in the aesthetics of the great beyond. It’s impossible to create anything without these influences pouring out. So it goes, with another mixtape: Until the End of the World.

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Deep Future [mixtape]

I’ve been thinking even more about the future since my son was born. Considering that science fiction and futurism are some of my biggest passions, that means a lot. I’ve curated this focused mindset with the help of some very specific sounds along the way, and I decided it’s time to share them.

This might be my best mixtape yet. Each one has been a self portrait of a specific slice of my life, and Deep Future is no exception. It is simply the most accurate reflection of my own private future. This is an adventure under hazy cyberpunk sunsets and new age neon skylines. A glowing mesh of deep house beats and world music textures cocoon the listener. It’s the sound of tomorrow’s dreams.

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Miles To Go [mixtape]

Miles To Go album cover

When I became a father this month, I decided to honor the moment by making a new mixtape. I’ve made mixes in all sorts of genres for all sorts of moods, but this time I had a new, very specific aim: to capture the feeling of being an exhausted, mildly ecstatic new dad.

To that end, I decided to make my first dad rock mixtape. But I couldn’t start with just any old stereotypical “dad” music. This had to be my vision of dad rock. So don’t expect any Springsteen or Steely Dan. This is another flavor entirely.

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Miles Davis – Miles Smiles


Wow. Just wow. This is Miles Davis at that stratospheric peak he seems to ride every few albums, the ones with mountains of praise written about them over the decades. For some reason it’s far less revered than the likes of Kind of Blue, Bitches Brew, and On The Corner, but it’s just as important to his development as an artist and just as incredible of a listen for jazz fans today.

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Chuck Johnson – Balsams

Chuck Johnson’s latest album Balsams was the first music I heard after my son was born. In its own low-key way, it was the perfect introduction to the world for a newborn baby. This is some of the most sumptuous, warmly crafted, undeniably human ambient music I’ve heard in years.

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Boards of Canada – Seeya Later

Boards of Canada are one of the most unique groups in modern music. Even a casual fan could spot their sound in a matter of seconds. Since their first album, they’ve called Warp Records home, but they’ve never been comfortable in any of the genres that legendary label is known for.

Weaving between neon-drenched hip-hop and menacing techno throb, they’ve charted a singular sound that is utterly approachable from any angle. It’s weird electronic music that your mom, your little brother, anyone can instantly nod along to. With that in mind, I present their best early track, Seeya Later, with a beguiling fan-made video:

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