R23X is about to make a much larger name for himself in the nebulous sound world curated by the Dream Catalogue label. VELTAHL is a striking moment of clarity sustained over 20 tracks of kaleidoscopic digital fantasia. It’s an explosion of crystalline tones and warped samples, adventure music for kids who grew up on pixelated visions of the future.
Demdike Stare have returned with a full length release over four years after their last with a quietly radical shift in sound. After exploring all the hidden spaces beneath the world of techno, they seem to have finally let some light in.
Wonderland is a revelation from any direction, surprising longtime fans and cracking open unexplored depths for the uninitiated. The timing couldn’t be better: this album hits an apocalyptic fever pitch right as 2016 winds to its dystopian end.
Subways is the jam of the summer, if not all of 2016. It’s one of those eternal grooves that will echo in your mind forever, whether you like it or not. It’s a key piece of The Avalanches‘ 15-years-in-the-making masterpiece Wildflower, and I’ve mentioned it before.
But this video is a whole new adventure. Holy shit, it sure is.
I’ve been a fan of Boards of Canada for almost 20 years now. Ever since being introduced to much of the Warp catalogue by coworkers at Circuit City in high school, I’ve considered this mysterious duo to be one of those bedrock favorites, the kind of group that I’m always happy to hear.
While I consider 2002’s Geogaddi to be their true masterpiece, beating out landmark debut Music Has The Right To Children by an avant-garde hair, it wasn’t until much later that they had any sort of official visual accompaniment to their music. When they dropped The Campfire Headphase in 2005, Boards of Canada finally released their first music video.
This is the first time I felt compelled to make a mixtape for people I’ll never know.
Ballroom is dedicated to everyone who lost the fight of their lives when someone tried to silence an entire culture. It’s also a dive through my own personal history with dance music, exploring the deep end of the electronic ocean, the sounds that come out as everyone’s going home.
Since you’re seeing this a day late, you might have gathered the fact that I was busier than normal this week. After Memorial Day left me only four days to take on a new project at work, I barely got around to writing about music, which always feels pretty bad.
Still, I’m thankful for a job that allows me all the time in the world to listen to new music. I’m going to mention the best stuff now. Spoiler alert: The Avalanches appear.