“I Crave Being Destroyed”

Combing my list of unfinished drafts, I sometimes unearth little gems. This one began as a nod to a certain New Orleans ambient noise band, but quickly veered into a miniature Grand Statement about what I get out of music.

This self portrait is a handy visual metaphor for the words you’re about to read.

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I was discussing Belong‘s debut album, October Language. I was living in San Francisco and had picked up the album on CD at Aquarius Records. The following is what I wrote almost exactly 4 years ago. I’m sharing because it still applies to my life.

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The Best Music of 2014

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This is a list of seriously amazing music. The best albums released in 2014, no shit. You probably haven’t heard of some of these artists. That’s okay. That’s awesome, in fact. Most of it’s off the beaten path, and it’d be a shame if that’s the only reason you never heard it. My biggest pleasure with this blog is hearing from friends who discovered something that’s become absolutely essential in their lives. I treasure that feeling and only hope to spread it. Enrich your life. Be adventurous, try out some of the music streaming on this page! It’s free right now and you’re definitely not doing anything better!

Okay.

I know this is late in the sense that most people publish their lists before the year is done, but I couldn’t care less about being first in judging an entire year’s worth of beautiful music. I’d always rather be finished than first.

Every piece of music on this list deserves attention. You’ll probably love some and hate others, because that’s how taste works.

See the Best of 2014 Honorable Mention list for the greatest albums that didn’t quite make the final cut!

[Note: excepting the ABSOLUTE FAVORITES section, these albums are listed in the order I heard them.]

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Black To Comm’s Gigantic Self-Titled Album

This album made a spot on my Best of 2014: Honorable Mention list, for a lot of great reasons. Here it is, streaming free in its entirety.

 

It breaks traditionally stone-faced drone music into wondrous, almost funny eruptions of surprise and joy. Its 83 minute running time seems monolithic and impenetrable until you actually hit play and topple inward. The first track bursts with a mischievous philosophical rant, peaking with the line,

“Grab yourself by the anus and turn yourself inside out. Reveal your inner workings! Put that which is most basic out into the light, and put the decorative outer wrappings where they belong.”

The final track ends in a fever dream of early industrial rock vocals and manicured feedback swirls. A whole lot of really fun, weird music happens in between. Fans of Fennesz, black metal, drone rock, David Lynch, and fucked up dreams: listen now.

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Black To Comm is the artist name of German musician Marc Richter. He doesn’t have a lot of pictures online, so I just thought I’d share the album art in high resolution.

Another new Zs track streaming right here: “Corps”

Yesterday I wrote about and shared the 18 minute title track for Zs’ upcoming album, Xe. You can listen here. I later realized that the band’s own Soundcloud page held a second lengthy piece, called Corps. It’s another fantastic slice of weird avant jazz that’s got my anticipation off the charts at this point.

The tune opens with a guitar riff marrying Dick Dale surf licks with Steve Reich minimalism, creating a line for the insistent percussion and tenor sax asteroids to dance over. Think Misirlou fucking with Electric Counterpoint and you’re on the right page. The rhythm loosens up, allowing the drums and saxophone to each billow up and take turns leading the sound. It’s a fantastic, tightly wound jam that ends in an effervescent free-jazz cloud.

Because the band absolutely thrives in a live setting, here’s a brief, energetic take on the song:

Now that I’ve fallen into a youtube hole and saved a load of Zs videos, you’ll likely see a handful more of these posts before the album drops on January 27th.

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Protip: you can order the album directly from Northern Spy Records for $17 on vinyl, right here: XE On Northern Spy.

Noisy jazz mutants Zs release a new album next week; title track streaming here!

Next week, muscular avant jazz champions Zs will release their long awaited album Xe, the first true followup to 2010’s monumental freakout New Slaves. I was already excited about the news. Now that I’ve heard the title track, I’m losing my patience.

Always evolving, never repeating, Zs are set to render us all dumbstruck again:

While I haven’t written much about Zs, they are in fact my favorite jazz project working today. I’ve shared a pair of posts about bandleader Sam Hillmer’s solo project a couple years back, and mentioned the group on my Best Of The Rest Of 2010 post. My words book-ending that list turned prophetic: “…any one of these albums may end up defining the year as much as the ‘true’ list.” In the case of New Slaves, that sentence couldn’t be any truer.

The double LP set is a monster, crossing cavernous metal and noise rock with free jazz of the highest order. The title track is, to my ears, a love letter to John Coltrane’s divisive masterpiece, Ascension. As the months of 2011 wore on, I found myself returning again and again to the album, eventually regarding it with a sense of awe for powerfully (and permanently) shifting my tastes more than than anything I’d mentioned on the official Best Of The Year list.

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Now, we have Xe dropping on January 27th, 2015. Judging by the initial nuanced throb of the title track, this looks to be perhaps less outwardly punishing than the last album. However, when the percussion starts tumbling over itself, and the guitar flares out of its surf metal loop, the tune erupts for the final third, with Hillmer soloing all over the place in a tight frenzy. Instead of a total wildfire, perhaps we’ll get a controlled burn with this new release.

Order the album directly from Northern Spy Records right here: XE On Northern Spy.

Demdike Stare – Erosion of Mediocrity

This video.  This massive tune.

I don’t really have anything to say about this today.  Just…

Edit:  Ok, I will at least mention that this is one of my favorite moments from one of the best albums of 2012.  I will also note that this video is fucking brilliant.  You’re welcome.

Tim Hecker & Daniel Lopatin – Uptown Psychedelia

I forgot to share this immediately after my first listen.  I really should have.

Tim Hecker is widely acknowledged as a master of his own blend of melodic drone (whom I’ve shamefully never written in depth about) while Daniel Lopatin is better known as Oneohtrix Point Never, hands down one of my favorite artists working today.  The fact that he’s collaborating with Hecker has, to put it mildly, assuaged my fears about Lopatin’s distinct lack of a new LP this year.

It’s late and I’m tired and I don’t know what to say.  If you like either of these artists, you will certainly enjoy this song.  Let’s hope the full album is just as good.

[I’m not seeing it yet but the release should be here for preorder soon.]