Somehow this perfect Queen song escaped my attention for my entire life. Sure, I’d probably heard it as a kid, but never on purpose. Never as an adult. How did I not know this song until I was 30 years old? Why?
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Flying Lotus – Coronus, The Terminator
Just now, Flying Lotus dropped a second preview track for next month’s long anticipated album, You’re Dead! The song is titled Coronus, The Terminator, and you can listen right here:
Oneohtrix Point Never + Philip K. Dick
Today I’m taking shelter in my apartment while a certain Christian music festival rears its ugly head across the street. Fanny-packed crowds flood the streets below while devotional rock blasts through the windows. I shut the shades and find my Rifts box set, selecting the third and possibly gentlest Oneohtrix Point Never album, Russian Mind.
Andy Stott – “Numb”
I can’t stop this ringing in my head.
With new album Luxury Problems, Andy Stott effectively rendered his previous pair of groundbreaking dark techno EPs irrelevant. It takes all of ten seconds for this, the opening track, to signify a giant leap. Siren vocals cut into shards and raining from above, resonating like a Tibetan singing-bowl. A Mariana trench of low-end crunch erupts like a basket of poisonous snakes, twisting through every crack in every direction. It feels like a glass house shattering from the round up, each piece hanging in the air a little too long.
Flying Lotus – Tiny Tortures (video featuring Elijah Woods)
This arrived today and it is beautiful. Echoing Akira (and Tetsuo) and some of the brilliant, creepy videos from Aphex Twin, it’s a dark, cinematic corkscrew in psychedelic miniature. There are few videos so evocative of their namesake, working as a perfect thematic foil to the song. Now watch, as Elijah Wood has a fucked up night.
Despite the fact that I haven’t done a full “album post” about Flying Lotus‘ latest opus, Until The Quiet Comes is easily one of my biggest repeat listens of the year. It’s the living, breathing incarnation of what I’d always kind of hoped his work was pointing towards. Its growth from 2010’s Cosmogramma is more organic and inevitable than the sudden leap that album made from its predecessor, breathrough lp Los Angeles; naturally, it’s less surprising how radically good this is. I feel like I took it for granted at first: “Of course this is good. Well there it goes in my car to stay in rotation for weeks.” Only a handful of albums have spent so much time as regular, near-daily listen this year, and if it weren’t for Kendrick Lamar’s new release, I could have, possibly, worn it out.
Thankfully this video came along today. Not only my favorite track, Tiny Tortures was due for some recognition. On an album crowded with standout moments between sublime guest vocals and dizzying synth work, its sparkling meditative cascade can be mistaken as a gentle interlude. It’s more like a brief exposure of Quiet‘s spiritual heartbeat. It reaches transcendence in the emotive dance of its guitar and bass (by second time MVP Thundercat) over a pulse hinting at great-aunt Alice Coltrane’s organ work on one of her masterpieces. If you haven’t listened to the album yet, here’s your chance to embrace one of the warmest electronic albums in years, a possible masterpiece of jazz and electronic music.
Cat Power – Colors and the Kids
Sometimes a song slips right between the ribs and punctures my breath, the very first time. This is one of those songs.
Cat Power (Chan Marshal) recorded this song fourteen years ago for the maybe-masterpiece album Moon Pix. Despite having heard the odd single over the years, this was my proper introduction to her work, this year. I may be a little late to the party but I have the feeling that I wouldn’t have appreciated this as much at the time. There’s a gorgeous sense of resignation and near-snuffed-out hope felt in the tightness of my throat, the way certain lines send a shiver up the sides of my neck.
I could stay here
Become someone different
I could stay here
Become someone better
The moment this hits in the song, her vocals take off in a way that melts through to me. It’s an already intimate song taken to confessional. The knockout delivery perfects a song about things I understand only too well.
Please, give it a try. I subconsciously avoided Cat Power throughout the years perhaps out of unfair lumping in with the flood of early 2000’s indie pop bands, which turned out to be a huge mistake. The album, by the way, is eleven straight great songs, if not all being equal to this heart destroyer.
Buy it directly from Matador or at a local shop like I did.
Philip Glass + Sesame Street
This is a collaboration between legendary minimalist composer Philip Glass and rainy day childhood staple Sesame Street. It is called Geometry of Circles. Somehow, I never shared this before. I am so sorry.
Years ago, a friend linked this video and I nearly wept with the recognition of something I knew so clearly from childhood and never since. This is perfect. Literally. I can’t imagine a more direct pairing of music and visuals; form and content reflect and amplify into the very essence of an idea.
Behold the hypnotic logic.
Optimistic Underground 