This week brought some genuine surprise to the music world. Frank Ocean finally crashed the hype train into public view, dropping his long-awaited sophomore album on a weekend night. After four years, nobody expected it to appear so randomly, but here we are.
This is the state of music in 2016. The pendulum of control is truly swinging back in favor of the artists. Everything else I discovered this week was courtesy of the artists themselves, broadcasting personally on Twitter, Bandcamp, and other open platforms.
Miles Davis is one of the most prolific musical geniuses of all time, having dominated most of the 20th century jazz landscape with progressively experimental releases that pushed the boundaries of what music could be. His work was not only adventurous; it was catchy, fun, thrilling, and always memorable.
Being a huge fan of the artist means having to reframe my perspective when a novel aspect of his work catches the light just so. This happened again.
I haven’t posted a weekly update in a while, so it’s about time. A lot happened, but I’ll stick to the highlights.
I hung out in wine country, biked about 500 miles, and finally saw my Japanese metal superheroes Boris in concert. Then I found myself on an extended deep dive into all the 60s jazz that I skipped over in the past. This total immersion is resulting in another evolution of taste.
This mixtape is about that warm glowing feeling you get when you dream about the right path in life. You see it materializing before you, and although it isn’t real yet, you’re filled with the light of understanding.
After this kind of dream, you wake with a newfound sense of purpose and optimism.
I’m writing about the most soulful, beautiful album I’ve heard this year. It just happens to have been recorded over thirty years ago.
I only mention current events in these weekly posts to give context to the words I write and the music I share. The circumstances in which we listen are important. Music might help buffer the hardness of the world, but he world informs it all the same.
That being said, I don’t even know what to say about what’s happening in America lately. Everyone seems to have lost hope. I know it’s not true, but dark attitudes are in the wind. I’m doing my part to remind those around me that things can and do get better. The fact that there’s always beautiful new music is enough proof for me.
This week I’ve only got two things to talk about, but they’re really important to me: Sade and the new Miles Davis biopic, Miles Ahead.
With his 2015 debut LP Elaenia, Floating Points made a startling leap from purely electronic composition to hybrid jazz mastery, using a full band to bring his creations to life for the first time. The album should have been on my best of 2015 list, but I’m doing my best to spread the word going forward.