Astral Blues [mixtape]

Zero gravity dance music for lonely cosmonauts. Or utopian jazz for the spiritually dazed. Interstellar beach techno? I don’t know; I’m calling it Astral Blues.

I like to think of it as a fever dream night out on the town, in love and half-crazed, blurred under neon lights and bursting with energy, connected to the earth and the heavens and all that hormonal stuff that makes us feel larger than life, self-mythologizing the way forward.

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Kyle Bobby Dunn & Wayne Robert Thomas – The Searchers / Voyevoda Split LP

Before this year, Kyle Bobby Dunn’s singular shade of ecstatic ambient drone music managed to flit by in the periphery of my tastes. His album releases seemed like big occasions to many friends, but I only listened, it seemed, in the midst of ambient playlists and random spins through Spotify or Youtube. I always enjoyed what I heard, but my attention was swamped by the constant snowblind bliss of the experience – the entire point of listening to hours of ambient music at a time, lost in headphones.

For someone who wrote a list called the 32 best ambient albums ever made, I was hilariously surprised by how quickly I fell in love with his sound. The two tracks on this split LP, by Dunn and Wayne Robert Thomas, make a convincing case for the power of sustained ambient drone in the year 2018.

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Hiroshi Yoshimura – Music For Nine Post Cards

Do you ever hear a piece of music that feels like it was made exactly for you at exactly the time and place you’re hearing it? Music that just fits, wraps around you, slips into your mind like the first blush of sun coming in the window? Music so effortlessly enjoyable that its radical warmth goes unquestioned? I’m not talking simply love-at-first-listens; it’s a different thing. I mean music that feel as natural as breathing.

Music For Nine Post Cards does exactly that. Hiroshi Yoshimura may have recorded this album in 1982, but it slipped into my winter 2018 sound world without notice and quickly became the contemplative little heart at the center of the new year’s listening.

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Dedekind Cut – Tahoe

Dedekind Cut, one of the most exciting experimental composers working today, has released his most accomplished set yet, an industrial ambient juggernaut that folds all his prior rough edges into an interstellar discovery vehicle. Tahoe is music for travelling beyond, informed by a deeply honest sense of what it’s like to be alive right now in this weird world.

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Until the End of the World [mixtape]

Every day, I’m becoming more and more the person I decided I would be. There is no immutable, core me – at least, not on a long enough timeline. It’s freeing to realize this and to reflect upon it every once in a while.

They say that no matter what you’re writing about, you’re always revealing yourself. A moment on this blog tells you I keep my mind on the future, and I keep its aim true with a steady diet of sci-fi, art, music, and stories all filling in the aesthetics of the great beyond. It’s impossible to create anything without these influences pouring out. So it goes, with another mixtape: Until the End of the World.

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Call Super – Arpo

Imagine a planet of warm woodwind tones, humid, echoing percussion, and laser-etched neon synth shards, settling like confetti over a rubbery techno landscape. The second Call Super album zooms all over this place, restless as a pinball, crossing and recrossing the the edges of its established territory every few minutes. Arpo constantly shifts its appearance using only a handful of evocative elements, erupting in a parade of unexpected delight with every subsequent track, sounding as cohesive as it is unique.

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Alessandro Cortini – AVANTI

Alessandro Cortini is a member of Nine Inch Nails and somehow I never knew it before the release of his latest and best album, AVANTI. I got on board with the Italian synth maestro when I heard his Forse series, but I admittedly hadn’t paid much attention to NIN since The Fragile. I gave each new album a listen or more, but I didn’t keep up with the band; I didn’t know anything beyond “Trent Reznor and some people.”

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