Fall into the zone. Techno gone weird, stoned, spaced out, turned into a sentient god of some sort. Lose track of time. Think about all sorts of crazy stuff. This is a journey through two hours of the most atmospheric, advanced species of techno today.
I say it every year because it’s always true: this year has been great for music. All it takes to find the greatness is an open mind and a set of ears. And a little help from your friends. So to begin, I want to thank all my friends around the world for the tips and the tunes.
More than any recent year, in fact, I had a tough time sorting out all my favorites and cutting them down to only fifty for this list. It’s tough, but it’s also fun. Weighing these pieces of music against each other feels so unfair, but so personal. Deeply personal, in fact. There’s no one here but me, so keep in mind that everything is here because of one man’s opinions. Naturally, I’ll miss some things – so as always I welcome suggestions. Soon I’ll have a secondary list of all the other great albums I heard this year. In the meantime, I hope you read and enjoy and find some new stuff to enjoy here. This is a labor of love, and I just want to share the joy.
Speaking of joy, the header image is a photo I took of my son on one of the last warm-enough days before winter. I love being a dad, and I can’t wait to share music with my kid. For now he mostly just spazzes out to anything I play. Kids are great because they don’t have any prejudices about music. If it moves them, it moves them.
In the past I’ve gotten too verbose with these intros, so I’m keeping it short and sweet. Thank you for reading. These are the best albums of 2018.
This is the biggest mixtape I’ve ever made. I’ve pieced it together with every bit of leftover energy and stolen time as my life has been radically changing during these inescapably hot and humid Michigan summer days. I’ve been in transit, in transition, floating in zero gravity between two planets, my comfortable old past and my hard-won future. I’d been building this sound mood for weeks and I had to call it Off World.
This strange time has me thinking about my fondest fictional memories of adolescence, hours at home and across the galaxy spent wandering through virtual lands, riding the long arc of a grand narrative while taking plenty of time to slow down and soak in the uncanny beauty of it all. So I started making a mixtape that would reflect both the epic nature of my changing circumstances and the liminal experience of waiting while a major life process plays out. Most of all, I wanted it to remind me of that specifically youthful feeling of spending days at a time lost in the beguiling worlds of my favorite RPGs, no responsibilities to tether me to the real world. Yep. Here we go.
Imagine a planet of warm woodwind tones, humid, echoing percussion, and laser-etched neon synth shards, settling like confetti over a rubbery techno landscape. The second Call Super album zooms all over this place, restless as a pinball, crossing and recrossing the the edges of its established territory every few minutes. Arpo constantly shifts its appearance using only a handful of evocative elements, erupting in a parade of unexpected delight with every subsequent track, sounding as cohesive as it is unique.
Sharp Time sounds exactly like its cover art looks. No joke.
Robert Hood is back with a new album that fires directly at his Detroit techno roots, serving as an evolved sequel to his iconic 1994 groundbreaker, Minimal Nation.
Unlike most examples of a “back to basics” album, this one hits just as hard as its inspiration, textured with two decades of stylistic evolution. Far beyond a throwback album, Paradygm Shift is a deep genre exploration, coloring the darkest corners of pure techno, highlighting the fresh pleasures this genre still has to offer.