The Field – From Here We Go Sublime

Two years ago, The Field (aka Axel Willner) dropped this masterpiece of maximized minimalism from the sky to explode notions of what infectiously catchy dance music can be built from.

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Pure, ecstatic, sustained immediacy.  This album hits your aural pleasure centers with laser precision from the first moment until the final echo wash.  Using clipped, compressed, shifted, exploded and otherwise modified samples to not only transmit a distinctly amorphous energy, but construct the beats – with each set feeling like micro-worlds unto themselves, tiny galaxies streaming by at high speed.  When Willner slows things down, as he does halfway though the aptly-named title track, eureka is the only natural response.

Grabbing throats and forcing attention, each song proceeds to evolve into a hypnosis-inducing pattern.  The best ones come on feeling hardwired into some primal wavelength in the hypothalamus, unrelentingly catchy until the last moment when elements unravel and a synth stab reveals itself as a pitched vocal, organ lines deflate into a rhythm bed.  An entire song tips over, unravels like a suture, and spills out The Four Tops.

Residing naturally at Kompakt,  his sound is pitched somewhere between the progressive ambient techno of The Orb and the ‘pop ambient’ of label founder Gas (Wolfgang Voigt); of course, to fully visualize you’ll have to imagine Willner floating in some sort of dirigible far above the proceedings.  Not to say that this is objectively better than either of those artists, of course – The Field simply aspires to loftier atmospheres than his forebears.

To put things laconically:  this is four on the floor dance music with enough inner life and microscopic detail to satisfy the deepest of psych connoisseurs, infused with the energy to keep a party stomping though it’s hourlong runtime, and entrancing to the point of total willing surrender.  So let go.  Put on those headphones.  Succumb to the kinetic charms.  From here we go sublime, indeed.

[check this grand record out at boomkat or, of course, amazon]

Deadbeat – Roots and Wire

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Roots and Wire is a wide-scope ambient dub excursion by Montreal/Berlin based artist Deadbeat.

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Tanlines

Tanlines are sort of a mystery to me. But these aren’t the kind one gets from passing out on the beach – this one makes indellible instrumental sunny tropical dance music like so:

New Flowers

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Basically, these two songs are uplifting, energetic, summery, and addictive.  Short on time, these tracks are tall on feeling and instinctually catchy rhythm.  Give it a spin and see for yourself.

And Tanlines, to give you more info (available on their myspace), have remixed tracks by the likes of Telepathe, El Guincho, and The Tough Alliance.. if that gives you a hint.  Hopefully it also whets your appetite.  This is a good discovery waiting for you to make it.

[purchase these tunes at Boomkat, and be sure to tell them how much you enjoy the fun sounds.]