Joseph Shabason – Aytche

When I was ten years old, I chose the alto saxophone as my instrument for school band. I kept at it through high school, but gave up when my interests turned elsewhere. I still own that sax, but I haven’t touched it in years.

If only I’d known that it could create otherworldly music like Joseph Shabason does on his masterful debut album, Aytche, I’d probably still be playing today.

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Call Super – Arpo

Imagine a planet of warm woodwind tones, humid, echoing percussion, and laser-etched neon synth shards, settling like confetti over a rubbery techno landscape. The second Call Super album zooms all over this place, restless as a pinball, crossing and recrossing the the edges of its established territory every few minutes. Arpo constantly shifts its appearance using only a handful of evocative elements, erupting in a parade of unexpected delight with every subsequent track, sounding as cohesive as it is unique.

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Euglossine – Sharp Time

Sharp Time sounds exactly like its cover art looks. No joke.

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Alessandro Cortini – AVANTI

Alessandro Cortini is a member of Nine Inch Nails and somehow I never knew it before the release of his latest and best album, AVANTI. I got on board with the Italian synth maestro when I heard his Forse series, but I admittedly hadn’t paid much attention to NIN since The Fragile. I gave each new album a listen or more, but I didn’t keep up with the band; I didn’t know anything beyond “Trent Reznor and some people.”

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Garrett – Private Life

Private Life is an ambient funk masterpiece from a mysterious new artist named Garrett. This auspicious debut LP expands the dreamy palette of Music From Memory, adding a dose of earthbound swagger to the usually anti-gravity label. Who could produce such cloudlike beat sculptures?

The answer was obvious the moment I pressed play. This is actually a new project for funk legend  Dam-Funk. With a deep focus on the most dreamlike aspects of his distinctive sound, it just might be his best work yet.

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Miles To Go [mixtape]

Miles To Go album cover

When I became a father this month, I decided to honor the moment by making a new mixtape. I’ve made mixes in all sorts of genres for all sorts of moods, but this time I had a new, very specific aim: to capture the feeling of being an exhausted, mildly ecstatic new dad.

To that end, I decided to make my first dad rock mixtape. But I couldn’t start with just any old stereotypical “dad” music. This had to be my vision of dad rock. So don’t expect any Springsteen or Steely Dan. This is another flavor entirely.

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Miles Davis – Miles Smiles

miles-davis-miles-smiles

Wow. Just wow. This is Miles Davis at that stratospheric peak he seems to ride every few albums, the ones with mountains of praise written about them over the decades. For some reason it’s far less revered than the likes of Kind of Blue, Bitches Brew, and On The Corner, but it’s just as important to his development as an artist and just as incredible of a listen for jazz fans today.

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