Fela Kuti

Fela Kuti is a supernatural being.  An extraterrestrial.  A god.  A politically charged, female-fueled rhythm machine.  He basically invented what we know as afrobeat.  He challenged the deadly authority of Nigeria’s oppressive government through song and action, and paid a price for it.  He popularized and reinvented jazz in Africa, then brought the explosive results to the West.  He was a visionary, a revolutionary, a womanizer, a pioneer, a king… a bad ass mother fucker.

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Most of his music was released in single and 12″ form, and the majority of his tracks were 10+ minute floor pounding epics.  Thus when being reissued, most of the originals were combined on CD, with it’s longer running time; which brings me to Expensive Shit + He Miss Road.  The impossible nature of selecting a favorite Kuti track or album led me to sharing, as an introduction, the release which I simply have listened to most often.  The tracks here are simply some of the most addictive numbers in his catalogue.  Aside from the two title tracks, we have Water No Get Enemy, Monday Morning in Lagos, and It’s No Possible – all long form, mercilessly energetic pieces designed to kickstart brains and shake asses at the same time.  Most Kuti songs follow a formula of intense rhythm buildup, chanted or sung culturally incisive lyrics, a beat explosion, and an extended hypnotic ending.  The sound itself begs no description; it just is.  Those who have listened know; those who have not are missing out on some fiercely energetic hip-shaking deep groove jams.  The stories behind the songs’ genesis are often intriguing enough for a small book, Expensive Shit in particular, so be sure to read up on them.  It not only aids in the enjoyment of the tracks (as if these masterpieces needed help to be enjoyed) but provides some insight into the man and his tumultuous life.

Just give this a try, especially if you’re completely new to it – in such a case, I promise no less than the most interesting thing you’ve heard all week/month/year.  Open your ears and prepare for spastic motion, mental and physical.  This is only the beginning.

[purchase the groundbeaking combo at cduniverse, wrasserecords, or the always-reliable amazon]

Cannibal Ox – The Cold Vein

2001: a Hip Hop OdysseyCannibal Ox dropped one of the greatest albums in recent history and then promptly vanished.  It’s possible the group was simply too incredible to exist; the universe self-corrected, erasing the extraordinary anomaly.  It’s a bit of a shame, but we have no place to complain when we’re blessed with this singular document of gravitationally scaled hip hop ferocity.

The Cold Vein is that rarest of creatures: an album that scales incredible heights both lyrically and instrumentally, stimulating all musical pleasure centers at once.  Vocal interplay between Vast Aire and Vordul Mega is a perfect dance between partners with different strengths, complimenting each others’ style every step of the way.  Throughout the record, they’re wrestling for control of the shambling, electro-crunch futuristic monster that is El-P‘s monumental production.  This lumbering beast rears its multifaceted head into the atmosphere via the first track’s sci-fi laser synthesizers and keeps pushing through uncharted territory with every minute consumed.  Feeling at times crunchy and nasty as the deepest early RZA work, a la Liquid Swords, the record’s more of a Transformer, flipping expectations and subverting comfort.  The surfaces constantly shift below Vast & Vordul’s feet, erupting in action-funk horn blasts, spacey organ bursts, complex breakdowns where the whole spectacle threatens to break loose and fly apart..  then it’s reigned in by these dueling aural lion tamers.  Combining cutting insight with surrealist connective tissue, the vocals flaunt every previously held rap paradigm.

Cutting through near-scatalogical Kool Keith-tinted non sequiturs, and the dystopian settings of Deltron 3030 (or Can Ox forebears Company Flow), are the surprisingly confessional moments embedded throughout – showcased in particular by the psychological turmoil of The F-Word and Stress Rap.  The one lyrical preoccupation easily identified is the emphasis on power, ambition, loss, survival, and pre-apocalyptic tension.  While not original in any conventional sense, it’s the way these themes are spun through nerd-genre sensibilities that lends weight and intrinsic appeal.  Like the best comic book and science fiction flicks, all the fireworks and metaphysical effects are merely tools aiding in the comprehension of universal truth and personal revelation.

I ain’t dealin’ with no minimum wage, I’d rather construct rhymes on a minimal page.”  This album is for dreamers and thinkers, unsatisfied with the state of the world, angry about the machinations of politics and culture, the stifling of creativity, the snuffed out aspirations.  It’s fuel for those striving, hoping, and fighting for a better place – even if it’s mental space.  Real Earth follows, after all.

[get your hands on this at CD Universe, with their list of relevant & worthy albums, or amazon of course]

Tom Waits – Bone Machine

tomwaits-bonemachine

Well I know karate, and voodoo too!

Everyone knows Tom Waits is one of those totally essential artists. You know, the ones your older brother or your first serious boyfriend or girlfriend constantly sung the praises of, reminding you that you *have to* listen. Often these artists slip by without due attention in a mixture of defiance and incredulity – how could anything be truly essential?

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