Today at work, the Mac OS startup sound was mentioned, and I offered that I always liked the original Windows 95 sound, created by Brian Eno. Besides; I associate that sound more with Wall-E than my office computer. It’s true; the godfather of ambient music has been in more ears than even the biggest pop stars. Searching youtube for the clip, however, brought me this little treasure.
I hope you’ve already hit play.
There’s really nothing much to say about this other than: listen to the massive difference that a simple, yet drastic change of tempo can to do a song. Suddenly we’re in echoing-angel, gossamer synth territory, and it feels great.
I hope some of my friends see this and get the same kick that I did.
Basically, I feel like turning everything into craziness. It’s off, it won’t ever match, it’s.. what?
This is perfect.
I meant the music; this is one of the most perfect moments so far during my journey through all 110 freely shared Aphex Twin (as user48736353001 on Soundcloud) songs. The couplet of 4 Red Calx[slo] and luke vibert spiral staircase [future music competition] [afx remix] stands apart in a menagerie of music that already consists of some of the best stuff I’ve heard all year. Completely given away for free.
Red Calx is an aural lullaby in hushed, ambient tones. Ultra-minimal construction, with merely a small, undulating melody slowly evaporates into fog, it’s gorgeous in a highly specific way. Brian Eno would have sold his soul for this little riff. There’s nothing much to it, but what is there is undeniable.
The second track races through a laser forest over a wobbly synth rhythm and noodly ray gun melodies, a perfect counterpoint to the meditative calm before it.
Those words at the beginning? The remnants of trying to blog drunk from my phone, apparently. I found an unpublished post that I don’t remember starting. ¯\_(ツ)_/¯
If you’re an Aphex fan and haven’t already done so, get to the user48736353001 page and click Download on everything. Absolutely everything. This is great music by one of the most important artists alive today, and it’s free. You can also simply listen to it streaming, but there’s no guarantee this music will remain in perpetuity.
A couple days ago, NASA released a new photo of the Andromeda galaxy, our closest galactic neighbor.
Hubble produced one of the largest images ever created. With 1,500,000,000 pixels, you’d apparently need “more than 600 HD television screens” to view the entire thing at once. Instead, check this sublime video to get a swooping, zooming view of the galaxy.
What you’re seeing is a selection of over 100 million stars embedded in a section of the disc galaxy, spanning 40,000 light-years. That’s astounding.
If you want to see the full image for yourself, check out Hubble’s Zoom Tool. You’ll be able to pan and zoom as deep as you’d like, to view individual stars from the far end of the galaxy. It’ll take a minute to load at the deepest levels, but it’s worth it.
Here’s a smaller “thumbnail” of the real deal, just to give you an idea of the scope at play here.
And finally, if you’re enjoying the song in that video, I’ve got it streaming below. Artist name Koda; he’s new to me.
Watching the video, I was thinking at first that I was hearing Ryan Teague. By the end I was convinced it was Sigur Rós. I’d say Koda falls somewhere between, and far more subtly. It’s not normally my sort of thing, but I might check out his other work.
So, I’m well aware you can view the image on all sorts of high profile sites, but I wanted to share it here because I’ve got a deeply rooted fascination with and love for anything space related. Thanks for reading!
Please, for the love of all that is holy, check out that Zoom Tool!
This is one of my favorite albums of 2014. I’ll be publishing a few full album streams before and after my Best of 2014 list, so stay tuned.
Jo Johnson popped onto my radar with brightly minimalist cover art on nodata.tv and a promise of synthesized dreaminess. I got exactly that and more. Listen now with this full album stream.
I’ve been familiar with Rod Modell via his Deepchord Presents Echospace project for several years now. 2007’s The Coldest Season is often cited as a monument of dub techno; icy beats, muted atmosphere, and warm rounded analog bass flesh out an album that bumps against the limits of control.
His second Deepchord album, Liumin, is one of my favorite techno releases of all time. This time the beats are more pronounced, evolving from broken radio tuner waves into a futuristic cityscape stomper.
However, I’d somehow missed his absolutely blissed-out meditation music, crafted with Michael Mantra over a decade ago. Listen to this half hour of pure alien serenity now:
Aphex Twin is dropping a new album for only the second time since I became a fan, and the first time I have been aware, this month. Since the neon blimp soared over London I’ve been excited beyond words. The build-up to this album has seen a newly unearthed side project from two decades ago, art stunts on two continents, and a series of listening parties set to occur in the next week. We should have expected it at this point, but this week birthed surprise as we finally got a taste of things to come. Richard D. James has truly delivered.
This feels like a Windowlicker sibling raised in the nocturnal, neon soaked grid of Selected Ambient Works 85-92. Familiar touchstones abound: skittering percussion moving like a current over melodic bedrock, dynamic shifts birth crystalline synth tones, and a sort of broken cyberpunk tone colors the whole thing. Over halfway though, warped vocals enter unannounced, striking in their warm candor. The most unexpected aspect of minipops 67 might very well be how welcoming and open it is. This is Aphex Twin as pop auteur, working in an understated, head nodding aesthetic that he’s rarely approached.
The reaction I’ve seen around the world has ranged from exultant worship to cries of heresy – which is par for the course, as far as I’m concerned. This track sneaks up on me, sinking its knives before I even realize 5 minutes have passed, before I hit “replay” again. For an artist known for bold moves (the entirety of Drukqs, his confrontational, arresting videos), perhaps an ambient pop song was the boldest move of all. Is he setting us up for a full frontal assault when Syro drops later this month? Will the album pull this thread, becoming his most accessible release yet? In a few weeks we’ll know. I expect that we will see how far the internet can bend that day. It’s good to have Richard D. James back.
It’s been a long time since I’ve written here on Optimistic Underground, and as with every prior hiatus I now feel the need to hammer out some mea culpa before jumping into the music. Today I’m skipping that nonsense. Here’s one of the greatest pieces of electronic dance music I’ve ever heard, a landmark from almost two decades ago that I only discovered this year.