Boards of Canada are one of the most unique groups in modern music. Even a casual fan could spot their sound in a matter of seconds. Since their first album, they’ve called Warp Records home, but they’ve never been comfortable in any of the genres that legendary label is known for.
Weaving between neon-drenched hip-hop and menacing techno throb, they’ve charted a singular sound that is utterly approachable from any angle. It’s weird electronic music that your mom, your little brother, anyone can instantly nod along to. With that in mind, I present their best early track, Seeya Later, with a beguiling fan-made video:
It’s that time of the year, so I’m sharing one of the few Christmas themed tunes that I actually enjoy. Hell, I love this song.
Here’s Christmas At The Zoo, a classic Flaming Lips tune from 1995:
Today is my birthday, and in celebration I’m sharing the incredible stop-motion video for The Smashing Pumpkins‘ timeless love song, Thirty Three. It’s not just one of my favorite tunes of all time, but one of the best videos from my childhood.
Inspired by a friend’s reminder, I cued up one of my favorite albums of all time: Blowout Comb, the underrated second and final release from Digable Planets. For those who aren’t familiar, they are jazz-inspired contemporaries of monumental groups A Tribe Called Quest and De La Soul… but they go way deeper.
This album is the real deal. Here’s the second to last song, a kind of manifesto:
So, this is more of a news item than music that I’m sharing, but I’m too excited to keep it to myself.
Last October, Oneohtrix Point Never (aka Daniel Lopatin) recorded a brand new score for the astonishing 1995 anime film Magnetic Rose, premiering it live along with the film itself at a live event in the UK. I obviously and regrettably did not attend. However, good news is afoot!
Today Lopatin announced that he will be releasing a follow-up to last year’s Commissions I 12″ on Record Store Day, surprisingly titled Commissions II. The new release features selections of his suite inspired by the video game scores of Manabu Namiki, Bullet Hell Abstraction, on side one. The bigger news for this fan, however, is that side two includes music from his re-imagined soundtrack to Koji Morimoto’s aforementioned anime short, which was originally part of the Memories trilogy.
You might recognize Magnetic Rose as the film gracing this very blog’s headliner – that decaying future piano resides at the heart of the mind-bending film. I consider it a sort of psychedelic cousin to the original Alien.
The release is over 30 minutes long and boasts more minimalist cover art from Robert Beatty. Hopefully that blue X is another die-cut detail like part one had!
So, fellow Lopatin fans, keep an eye out on Record Store Day 2015, which hits Saturday, April 18.
I was aimlessly browsing and came upon the Ghost In The Shell original score on CD. Loving the film, though having not seen it in years, I knew it would at least conjure some nostalgia for a time long gone. Nostalgia is achieved within 5 seconds of the opening track. Beyond that, it gets very interesting.
I’m here to tell you about Further, by Flying Saucer Attack. Because it needed to be discussed.