Love Spirals Downwards – Flux

A jet engine blast of an aural rubdown. Love Spirals Downwards attained a unique perfection with this release, striking at the heart of what I consider love sounds – music which conveys the intimate, soothing nature of love itself.  Music which can be a close companion in headphones, embracing worn psyches, calming fears, elevating a languid soul.

Tumbling down a vortex of gauzy electronic opulence, with Suzanne Perry’s siren cry as the only constant, this album is designed for losing oneself into shifting texture.  Ostensibly a dreampop-based sound in atmosphere and tone, the immediacy and a sense of futurism derived via many surprising elements sprinkled throughout engender rapt attention.  Love Spirals Downwards incorporates idm beats, afrobeat percussion, deep-as-dub bass lines and an ambient sensibility to drown everything in an opiate syrup.  Overlaid are the most ethereal guitar lines since Slowdive left orbit – and a shoegazer’s narcotic intentions to back them up.

Getting down to brass tacks, I suggest one merely listen to the track Psyche to fully grasp the beauty of this work.  If that one doesn’t bore straight through the frontal lobe to the brain stem and render jaws slack, I suggest taking a puff and then giving it another go.  Lay back and let the waves wash over.

[purchase at the band’s label, Projekt of course, or CDBaby – a new hard copy will be a rare find, but digital copies abound at amazon]

The Field – From Here We Go Sublime

Two years ago, The Field (aka Axel Willner) dropped this masterpiece of maximized minimalism from the sky to explode notions of what infectiously catchy dance music can be built from.

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Pure, ecstatic, sustained immediacy.  This album hits your aural pleasure centers with laser precision from the first moment until the final echo wash.  Using clipped, compressed, shifted, exploded and otherwise modified samples to not only transmit a distinctly amorphous energy, but construct the beats – with each set feeling like micro-worlds unto themselves, tiny galaxies streaming by at high speed.  When Willner slows things down, as he does halfway though the aptly-named title track, eureka is the only natural response.

Grabbing throats and forcing attention, each song proceeds to evolve into a hypnosis-inducing pattern.  The best ones come on feeling hardwired into some primal wavelength in the hypothalamus, unrelentingly catchy until the last moment when elements unravel and a synth stab reveals itself as a pitched vocal, organ lines deflate into a rhythm bed.  An entire song tips over, unravels like a suture, and spills out The Four Tops.

Residing naturally at Kompakt,  his sound is pitched somewhere between the progressive ambient techno of The Orb and the ‘pop ambient’ of label founder Gas (Wolfgang Voigt); of course, to fully visualize you’ll have to imagine Willner floating in some sort of dirigible far above the proceedings.  Not to say that this is objectively better than either of those artists, of course – The Field simply aspires to loftier atmospheres than his forebears.

To put things laconically:  this is four on the floor dance music with enough inner life and microscopic detail to satisfy the deepest of psych connoisseurs, infused with the energy to keep a party stomping though it’s hourlong runtime, and entrancing to the point of total willing surrender.  So let go.  Put on those headphones.  Succumb to the kinetic charms.  From here we go sublime, indeed.

[check this grand record out at boomkat or, of course, amazon]

Deadbeat – Roots and Wire

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Roots and Wire is a wide-scope ambient dub excursion by Montreal/Berlin based artist Deadbeat.

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Enjoyable Quote

Quote For April 23 2009

“Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.”

Hunter S. Thompson, Fear and Loathing in Las Vegas, 1971

hunter

Steve Reich – Music For 18 Musicians

Steve Reich is possibly my favorite living composer.  His strain of mimimalism has coursed its way through several branches of the tree of modern music.  These ideas have proved to be the backbone for a plethora of genres and soundscapes we enjoy today.

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His music feels like the core of something – the central axis of entire galaxies of sound.  Anyone hoping for a solid grounding in modern music needs to get closer.  Reich is scriptural-level essential.  His tones are so identifiable that once you’re familiar, you’ll start to notice the signature embedded in everything.

I’m hoping to avoid giving the impression that listening to Reich is akin to homework, so here’s the real score:

This is some of the trippiest, most hypnotic, enveloping and overwhelming music I’ve laid ears on. The style may be minimalism, but it only feels that way if your volume is turned improperly low.

Here is a first taste of Reich: The original Music For 18 Musicians on ECM records.

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While not necessarily the man’s best composition, Music For 18 Musicians is a wonderful introduction to the unique harmonic building blocks with which Reich constructs his work.  Warm oscillations breed an inviting serenity in the first moments, and the listener is quickly whisked down a gently cascading river of sublimity.  Based around an ABCDCBA structure, each section melodically deconstructs a given chord and rebuilds it;  every bit is cyclical, and the whole piece winds into itself at the end.  Perfect symmetry.  It sounds simple, and it is.  Nothing has ever been so divine.

[grab this original ECM recording from amazon – there are several other recordings of this work which I will be covering in the future]

ending in ing

I haven’t felt this floored by such a new artist in… ever. With the small amount of recorded output as evidence, I have no doubt ending in ing will get the attention he deserves.

Hear for yourself

endinginging

The simplest and most direct thing I could say about this music is that it’s a perfect amalgam of several exhilarating, timelessly enjoyable elements.  Inducing a euphoric, wide-eyed, windblown hair on a sunny day feeling, this is classically perfect pop construction for the laptop generation.  The only comparison I could personally offer would be to the Avalanches – high praise indeed, but at the expense of the personal nature on display here. This man crafts songs – coherent, concise songs, without so much as a whiff of collage-style construction.  And these songs are made to get lost in.

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I’m not going to describe the sounds themselves – it’s your job to find out.  PLEASE check out ending in ing’s myspace, as there are several other tracks available for streaming.  The tracks I’ve shared are all free, so be sure to THANK the artist personally, and encourage him to keep producing magic like this.

Liquid Liquid

This band is the funkiest bunch of white guys to emerge from the fertile early-1980’s NYC no wave scene. Featuring one of the most well-known bass lines in recent history, Liquid Liquid are nonetheless relatively unknown to the wider public.

Liquid Liquid is a self-titled collection of everything essential.

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To wit: if this band were James Brown, Cavern would be their Funky Drummer.  The moment that transcendent rhythm comes to life on the track, you’ll be awash in familiarity and confusion in the same instant.  Is this White Lines (Don’t Do It) by Grandmaster FlashPhenomenon by LL Cool J?  Both.

Despite that track’s endearing, enduring charm, it’s not even the best thing here.  This collection is overstuffed with quality material, ranging from party-ready bangers to truly outré beat and noise explorations.  None of it comes within spitting distance of mainstream pop or modern club music, by any stretch of imagination.  One listen though and you’ll be convinced that the ideas contained are the base root for a wide breadth of modern music, popular and obscure alike.

This LP is actually a set released in 1997 by Grand Royal containing basically everything you could want to hear from the band’s limited output.  First track Optimo will blow you away.  Cavern is next.  You’re now on a dark, funky rollercoaster to the end.

[grab this amazingly fresh and complete set at amazon]

bonus:  Cavern video!