Marco Shuttle – Visione

marcoshuttle-visione

Seeing ‘with Donato Dozzy’ attached to the first track on this debut album from Marco Shuttle, I absolutely had to listen. As a total unknown to me, the bespoke surrealism of the cover art caught my eye, but Dozzy grabbed my attention. As half of Voices From The Lake and an incredible techno artist in his own right, this guy will always deserve my time.

Featuring on this album is an endorsement that’s paid off handsomely. This is one of the best albums of 2015 so far. The best news is that the entire thing is streaming free:

Continue reading →

Rest In Peace, Tangerine Dream founder Edgar Froese

My morning news just brought word that Edgar Froese, founder of one of my favorite bands of all time, Tangerine Dream, has died at age 70. The cause of death was pulmonary embolism.

froese1

Tangerine Dream, for those only familiar with the name via a smattering of mostly-great 1980s film soundtracks, were one of the most innovative and popular bands to emerge from the 70s German krautrock / kosmiche scene. Constantly evolving, they helped birth the modern ambient sound and informed generations of electronic music in every form. Froese was the only consistent member through dozens of lineup changes that included the luminous contributions of Klaus Schulze and Conrad Schnitzler.

Moving from spooky moonscape-scouring meditations through epic space rock and pulsing dance music, Froese never let the band stay perched on one sound for long. With over 40 years worth of music to choose from, fans of the band can never reach consensus on what is the best. Personally, my heart will always return to Rubycon. The eerie psychedelia on these two tracks laid the blueprint for ambient rock, but was so much more than a chill-out session. Analog synth arpeggios lay a spaced out bed for for a quietly propulsive rhythm. With a wash of disembodied choral voices influenced by György Ligeti, plus tactile sounds from gongs, strings, and woodwinds, the eponymous pieces build tension and ease it away like a tidal wave in slow motion.

Continue reading →

Another new Zs track streaming right here: “Corps”

Yesterday I wrote about and shared the 18 minute title track for Zs’ upcoming album, Xe. You can listen here. I later realized that the band’s own Soundcloud page held a second lengthy piece, called Corps. It’s another fantastic slice of weird avant jazz that’s got my anticipation off the charts at this point.

The tune opens with a guitar riff marrying Dick Dale surf licks with Steve Reich minimalism, creating a line for the insistent percussion and tenor sax asteroids to dance over. Think Misirlou fucking with Electric Counterpoint and you’re on the right page. The rhythm loosens up, allowing the drums and saxophone to each billow up and take turns leading the sound. It’s a fantastic, tightly wound jam that ends in an effervescent free-jazz cloud.

Because the band absolutely thrives in a live setting, here’s a brief, energetic take on the song:

Now that I’ve fallen into a youtube hole and saved a load of Zs videos, you’ll likely see a handful more of these posts before the album drops on January 27th.

Zs_BandPhoto

Protip: you can order the album directly from Northern Spy Records for $17 on vinyl, right here: XE On Northern Spy.

Noisy jazz mutants Zs release a new album next week; title track streaming here!

Next week, muscular avant jazz champions Zs will release their long awaited album Xe, the first true followup to 2010’s monumental freakout New Slaves. I was already excited about the news. Now that I’ve heard the title track, I’m losing my patience.

Always evolving, never repeating, Zs are set to render us all dumbstruck again:

While I haven’t written much about Zs, they are in fact my favorite jazz project working today. I’ve shared a pair of posts about bandleader Sam Hillmer’s solo project a couple years back, and mentioned the group on my Best Of The Rest Of 2010 post. My words book-ending that list turned prophetic: “…any one of these albums may end up defining the year as much as the ‘true’ list.” In the case of New Slaves, that sentence couldn’t be any truer.

The double LP set is a monster, crossing cavernous metal and noise rock with free jazz of the highest order. The title track is, to my ears, a love letter to John Coltrane’s divisive masterpiece, Ascension. As the months of 2011 wore on, I found myself returning again and again to the album, eventually regarding it with a sense of awe for powerfully (and permanently) shifting my tastes more than than anything I’d mentioned on the official Best Of The Year list.

11183_JKT

Now, we have Xe dropping on January 27th, 2015. Judging by the initial nuanced throb of the title track, this looks to be perhaps less outwardly punishing than the last album. However, when the percussion starts tumbling over itself, and the guitar flares out of its surf metal loop, the tune erupts for the final third, with Hillmer soloing all over the place in a tight frenzy. Instead of a total wildfire, perhaps we’ll get a controlled burn with this new release.

Order the album directly from Northern Spy Records right here: XE On Northern Spy.

Jo Johnson – Weaving

jojohnson-weaving

This is one of my favorite albums of 2014. I’ll be publishing a few full album streams before and after my Best of 2014 list, so stay tuned.

Jo Johnson popped onto my radar with brightly minimalist cover art on nodata.tv and a promise of synthesized dreaminess. I got exactly that and more. Listen now with this full album stream.

Continue reading →

Viet Cong – “Continental Shelf” [music video]

Here’s that new Viet Cong music video, as promised. The song is Continental Shelf, first single from the band’s self-titled debut, releasing January 20th.

I should mention now that it’s super NSFW. But only for a few seconds. Watch it!

The imagery here seems to be a disjointed puzzle, an intriguing mess. It feels like the trailer for an art house film aping George Meliés at times, with a hint of Jodorowski. Fans of Holy Mountain or El Topo might know what I mean. That looks like a lot of links; whatever, they’re all awesome video clips.

The song itself is easily the catchiest tune on the brief album, with intelligible vocals and a clean hook. While not entirely representative of the band as a whole, it should still grab your ears tightly.

vietcongcontinental

Here’s a screenshot I took from the video. Fire mustache?

As I mentioned yesterday, this album is one of the most exciting rock releases I’ve heard in a long time. Modern rock has been boring me for years now, so it takes something truly special to ignite my enthusiasm.

Check the Viet Cong bandcamp page for links to purchase this fiery debut album in every format, including cassette, LP, CD, and digital. You can find it on Amazon of course but it’s better to buy right from the label. I did.

Snippet from a conversation on Top 40 Radio

kyary-thumb-615x345-90583

In this exchange, we join a Skype conversation deep into the workday. There’s nothing incredibly insightful here. I just wanted to share a bit of our back and forth on a topic that’s often relevant to something my peers encounter on a daily basis.

Me: Here’s where “weird” just sounds hilarious as a pseudo-criticism to me: in 2004 I was way into Arcade Fire, and many of the somewhat related Canadian indie rock bands. They were so weird to top 40 pop fans. So alien, so ugly.

In 2014 I’m hearing an unending stream of bands that sound exactly like those 2004 bands, right there on Top 40 radio.

So here’s hoping that in 10 years the spacey jazzy synth shit I’m into is on 104.5! (Note: it’s a local pop station)

Jzn: Assuming that commercial radio as we know it it still around by then.

Me: Oh god, it’ll just keep smashing headlong into a future that doesn’t want or need it. All the same shit, no matter what city or state you’re in! Which is the true death of radio. It’s no longer vital, it doesn’t champion local sounds or spread the news about a regionally popular band.

Because now you’re either popular everywhere, or “underground.” There’s nothing in between.

So now you get the same garbage here as you do in Arizona or Alaska. How insanely boring.