This is my last mixtape for 2020, and that’s young me on the cover. I named it Love Will See Us Through after the ghostly refrain in the very first track you’ll hear. I think I need it to be true as much as the singer does, echoing beyond the rhythm and ambient waves. This one’s a little bit wistful house, a little bit ambient jazz, and a little bit new age dream. It’s sort of my sad dad mixtape, composed solely of music that’s helped my darker thought trains turn cathartic over the course of this year.
Hey friends, here’s my latest mix. I named it Jungle Bump. This is a colorful blend of woozy deep house, epic ambient, melancholy techno, and all sorts of genre-agnostic magic that fits between world music and new age and humid environmental bliss. It’s meant to conjure the specific type of daydream euphoria I associate with getting lost in the sprawling weird world of JRPGs, without using music that actually comes from or sounds like those games.
So really, it’s the soundtrack to a certain shade of nostalgia that runs through memories of exploring spaces that don’t exist, from early childhood on up through today, now playing with my own kid on my lap. It’s a warm feeling, utterly lost but totally relaxed, at peace, vibing with existence – and it’s a place I go to in my head when I need to calm, re-center, check myself, whatever. I figure that’s something we can all use now and I hope this music conveys it well.
Here’s my latest mixtape. I’m calling it Ecstasea for a number of reasons, firstly because I just like the way it looks, hovering there over the warm neon purple glow of an oilplatform in a roiling ocean. It’s also a cheeky punmanteau that neatly describes the music within: all endless liquid rhythm and blissful abandon. I had no greater ambition with this mix than to gather some of my favorite transcendental deep house and techno tracks and sequence them for maximum joy. No concept, no specific era – just a vibe that I know and love, riding beat crescendos and chill valleys up to an ecstatic, jazzy finale.
Echo Station begins on a city street with the honk of a car horn giving way to bird calls and dogs barking. There’s a gathering of synth sprinkles, footsteps, the low drone of far off conversations, and then a voice speaks closely in your ears. It’s time for peaceful adventure. Lean into the membrane of your normal day and push through, fall into the world, wander off the path and into the forest. Let go. As the final words of this welcome message say:
“I get off the train at a station that I usually just pass through on weekdays.”
Dream Shelter began a few weeks ago when I put together a few tracks that really vibed well, but it wasn’t until the gravity of the global pandemic hit me that I could tie it all together into a proper mix. I needed the sound of adventure and I felt drawn to a very specific mood that I ended up finding spread across an odd gathering of scenes and sounds.
This is music for pure escape when you can’t leave home. Genre-agnostic tunes sourced from across the globe from 1978 to 1995. It’s hard for any of us to handle something so world altering, but I truly believe that the right music can help. We’ve got a long way to go, so I just want to spread the love and good feelings. We’re all in this together.
Hey, it’s 2020 and I’m back with a new mixtape. Emergence is a total immersion in decaying dub techno oceans and deep ambient fog, echoing outward over cold synth mountaintops and cavernous drum valleys and finally the warmth and comfort of home coming into focus.
Here we go:
Hi. Welcome to the Optimistic Underground list of the best techno albums of 2019. I’m just one person so this is the list of music I personally heard – and I know I missed a LOT. But I also heard an incredible amount of brilliant music. Far too much to fit on the 50 best albums of 2019, in fact. Because the two genres I listen to most, ambient and techno, composed a great deal of the albums I had saved over the year, I decided it would be a good idea to give them each their own list. So here we are.
Although some of these albums appear on the main list and some do not, consider them all equally and highly recommended for any techno fans. Also, while many of the albums on the big list could have been considered techno in the loosest sense, I went for a more focused attack here. These albums are (almost) all solidly, irrefutably techno music. It’s a vast genre that often bleeds into house music, ambient, and far more out-there sounds, but it centers on an instantly recognizable core that hasn’t changed much in the decades since it was born.
[Ambient fans: don’t miss the 20 best ambient albums of 2019.]
When there simply wasn’t enough room to include everything I loved in the year, I made a new list. A specific list. Here we go, in alphabetical order: